tag:blogger.com,1999:blog-215920632024-03-13T08:19:35.378-07:00CrankyPantsKravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.comBlogger40125tag:blogger.com,1999:blog-21592063.post-55176257953015960222013-06-15T18:59:00.000-07:002013-06-15T19:00:52.953-07:00Sherlock Holmes<i>Originally published way back in the olden days. </i><br />
<br />
I was sharing a carton of soy egg nog I'd purloined from a Christmas Party last night with my Grandpa Schlomo (I put a star of david on the carton) when suddenly we were inspired to see a movie. I suggested we see something with action and derring-do because Grandpa has a tendency to doze off in the middle of movies and dream about the days when Cossacks tried to steal his breakfast cereal. So we decided on the new Guy Ritchie thriller, Sherlock Holmes. I love Holmes as much as I love any fictional character in the history of fictional characters, and I was intrigued to see him as a swashbuckler. Grandpa was skeptical, but that's just his nature and I laughed when he tried to tell me that the movie was going to be bad. "How bad can it be, it has Sherlock Holmes in it?"<br />
<br />
Within several minutes, Grandpa leaped up, fully asleep, and tried to steal a box of popcorn from a young woman sitting nearby. "That's my Cheerios, comrade!" He yelled. I knew we were in for a long evening. Not only was this movie boring, it was stupid. And nothing is worse than a stupid and boring movie that costs 80 zillion dollars to make. The movie, for fans of bare-chested Hollywood stars, did have a lovely fight scene showing Holmes beating the crap out of a bare-knuckled drunkard, but I don't recall Holmes ever doing this in the books I read when I was 13. Not that I mind a re-imagining of Holmes -- let him beat up people -- but what sets my pipe and slippers on fire is the lack of "imagining" in "re-imagining." The story pits Holmes rationalism against a bad guy using superstition to take over the world. Or something. But the writers settle for action sequences and Holmes jumping to lots of conclusions: what we don't get to see is the great detective actually challenged. We don't see him slowly unraveling the mysterious mystery. We don't see him teetering on any metaphysical edges (though we do, of course, get to watch a literal teetering), so there's no thrill, no real conflict, no story. Why spend all that money and forget to tell a story. I used to think Hollywood didn't care about story since they could crank out an epic piece of garbage and still make bazillions, but now I'm wondering if there just aren't that many people who can actually TELL a story. Eesh. It's gotten so bad that a movie a child could have written -- The Hurt Locker -- is garnering all kinds of attention and winning awards. Sir Arthur Conan Doyle would probably say to all of this, as Grandpa Schlomo did when he awoke from his stupor 3/4 of the way through the movie, "Oy, I'm drooling, can we go before I kick someone in the testes?"Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-36211922641859832882013-06-07T09:55:00.000-07:002013-06-07T09:55:00.672-07:00Girls<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:TargetScreenSize>800x600</o:TargetScreenSize>
</o:OfficeDocumentSettings>
</xml><![endif]--><br />
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>EN-US</w:LidThemeOther>
<w:LidThemeAsian>X-NONE</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="267">
<w:LsdException Locked="false" Priority="0" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" Priority="39" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" Name="toc 9"/>
<w:LsdException Locked="false" Priority="0" Name="footnote text"/>
<w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" Priority="0" Name="footnote reference"/>
<w:LsdException Locked="false" Priority="10" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" Priority="0" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" Priority="11" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" Priority="22" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" Priority="59" SemiHidden="false"
UnhideWhenUsed="false" Name="Table Grid"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
</w:LatentStyles>
</xml><![endif]--><!--[if !mso]><img src="//img2.blogblog.com/img/video_object.png" style="background-color: #b2b2b2; " class="BLOGGER-object-element tr_noresize tr_placeholder" id="ieooui" data-original-id="ieooui" />
<style>
st1\:*{behavior:url(#ieooui) }
</style>
<![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman","serif";}
</style>
<![endif]--><!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:TargetScreenSize>800x600</o:TargetScreenSize>
</o:OfficeDocumentSettings>
</xml><![endif]--><br />
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>EN-US</w:LidThemeOther>
<w:LidThemeAsian>X-NONE</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
</w:Compatibility>
<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="267">
<w:LsdException Locked="false" Priority="0" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" Priority="39" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" Name="toc 9"/>
<w:LsdException Locked="false" Priority="0" Name="footnote text"/>
<w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" Priority="0" Name="footnote reference"/>
<w:LsdException Locked="false" Priority="10" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" Priority="0" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" Priority="11" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" Priority="22" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" Priority="59" SemiHidden="false"
UnhideWhenUsed="false" Name="Table Grid"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
</w:LatentStyles>
</xml><![endif]--><!--[if !mso]><img src="//img2.blogblog.com/img/video_object.png" style="background-color: #b2b2b2; " class="BLOGGER-object-element tr_noresize tr_placeholder" id="ieooui" data-original-id="ieooui" />
<style>
st1\:*{behavior:url(#ieooui) }
</style>
<![endif]--><!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman","serif";}
</style>
<![endif]-->
<br />
<div class="MsoNormal" style="text-indent: .5in;">
<i><span style="color: red;"><span style="color: black;">A piece written months ago that I'm just now getting around to posting: </span></span></i><b><span style="color: red;"><span style="color: black;"> </span></span></b></div>
<div class="MsoNormal" style="text-indent: .5in;">
<b><span style="color: red;"><span style="color: black;"> </span> </span></b></div>
<div class="MsoNormal" style="text-indent: .5in;">
<b><span style="color: red;">R</span></b>ecently, my imaginary eighteen-year
old child, Yardstick, was watching her favorite new television program:<span style="mso-spacerun: yes;"> </span>“Girls.”<span style="mso-spacerun: yes;">
</span>Being an expert on all things media and a terrific imaginary parent, I
decided to take in every episode back to back in order to protect Yardstick
from potential bad influences, like the NRA or baldness.<span style="mso-spacerun: yes;"> </span>I’d heard through the genius grapevine that
“Girls” suffered from all-manner of problems and was much too in love with its
own narcissism to entertain the likes of my darling girl, let alone lonely
older folks with nothing better to do than make up imaginary children and write
about television.<span style="mso-spacerun: yes;"> </span>But when I saw the
show I discovered something surprising:<span style="mso-spacerun: yes;">
</span>it’s good.<span style="mso-spacerun: yes;"> </span>And I began to suspect
that there must be something else lurking behind the negative-Nancy
blogospherists who have been taking pleasure in kicking the show in the
ovaries.<span style="mso-spacerun: yes;"> </span>Thus, I decided it was my duty
to leap to its defense.<span style="mso-spacerun: yes;"> </span>Since “Girls”
recently won the Golden Globe for best new comedy, it clearly doesn’t need me
to defend it, but I’m a man and my Y chromosome insists that things are not
properly approved of until I say so.</div>
<div class="MsoNormal" style="text-indent: .5in;">
I began by asking my Grandpa
Schlomo what he thought the problem was.<span style="mso-spacerun: yes;">
</span>“People are schmucks,” he answered before stapling a “kick me” sign to
my back and trampling my asparagus fern to death.<span style="mso-spacerun: yes;"> </span>But he had a point.<span style="mso-spacerun: yes;"> </span>People <i style="mso-bidi-font-style: normal;">are</i>
schmucks.<span style="mso-spacerun: yes;"> </span>And their critiques of the
show smack of envy.<span style="mso-spacerun: yes;"> </span>“I’m smart and
talented but I don’t have my own show and the world isn’t fair and I hate Lena
Dunham!”<span style="mso-spacerun: yes;"> </span>This leads me to:</div>
<div class="MsoNormal" style="text-indent: .5in;">
Critique number 1:<span style="mso-spacerun: yes;"> </span>the show is written and populated by actors
who would be no where without their famous parents.<span style="mso-spacerun: yes;"> </span>This notion, however true, is not a critique
of the show as far as I can tell.<span style="mso-spacerun: yes;"> </span>In
fact, if the people who make this complaint bother to pull their heads out of
their keyboards, they’ll see that the world works very much this way.<span style="mso-spacerun: yes;"> </span>Those waiting for a true meritocracy are much
like the characters depicted in Girls:<span style="mso-spacerun: yes;">
</span>entitled, narrow-minded and narcissistic.<span style="mso-spacerun: yes;"> </span>These people should watch the show, in fact,
so they can see their own images reflected back at them.<span style="mso-spacerun: yes;"> </span>(There’s a hilarious episode in season 1 when
Hannah discovers her hated college rival has written a popular memoir.<span style="mso-spacerun: yes;"> </span>She says something like, “she’s got no talent,
she’s just lucky her boyfriend died.”) <span style="mso-spacerun: yes;"> </span>At least the characters on the show are
characters on a show.<span style="mso-spacerun: yes;"> </span>And they’re
funny.<span style="mso-spacerun: yes;"> </span>Hey, guess what, it’s true:<span style="mso-spacerun: yes;"> </span>all four women have famous or semi-famous
parents, but Hollywood
has always been a place that thrives on nepotism.<span style="mso-spacerun: yes;"> </span>Ever heard of Michael Douglas?<span style="mso-spacerun: yes;"> </span>Melanie Griffith?<span style="mso-spacerun: yes;"> </span>No one seems to mind that Scott Caan kicks
bad-guy butt every week on the new Hawaii Five-O, so why are bloggers hating on
Dunham and the other kiddies?<span style="mso-spacerun: yes;"> </span>“Yeah, but
it’s not just that.<span style="mso-spacerun: yes;"> </span>I watched the show
and, like, gross, the characters are all so mean to each other.<span style="mso-spacerun: yes;"> </span>Yuck!”</div>
<div class="MsoNormal" style="text-indent: .5in;">
Critique number 2:<span style="mso-spacerun: yes;"> </span>the characters on the show are not
likeable.<span style="mso-spacerun: yes;"> </span>This is a legitimate complaint
if you don’t like shows with unlikable characters and if this is the case, you
shouldn’t watch “Girls.”<span style="mso-spacerun: yes;"> </span>End of
story.<span style="mso-spacerun: yes;"> </span>Nor should you watch “Seinfeld”
or “Arrested Development” or “It’s Always Sunny in Philadelphia” or almost every movie made by
Woody Allen.<span style="mso-spacerun: yes;"> </span>Full disclosure:<span style="mso-spacerun: yes;"> </span>I love Woody and “Arrested Development,” and
was raised on milk, cookies and “Seinfeld.”.<span style="mso-spacerun: yes;">
</span>These shows/directors/people exaggerate our worst traits to criticize
the people who behave this way.<span style="mso-spacerun: yes;"> </span>So why
are bloggers so angry at Dunham when she is only borrowing from others?<span style="mso-spacerun: yes;"> </span>After all, the show does not strike me as
advocating the lives of these women, or even critiquing them.<span style="mso-spacerun: yes;"> </span>It depicts them, warmly and with humor, and
welcomes us to bring our own critical adult eye to the proceedings.<span style="mso-spacerun: yes;"> </span>The big difference is that these characters
are primarily women, and unlikable ones.<span style="mso-spacerun: yes;">
</span>Perhaps that’s the first layer of the onion I’m hoping to peel.</div>
<div class="MsoNormal" style="text-indent: .5in;">
Critique Number 3:<span style="mso-spacerun: yes;"> </span>They have too much sex on the show.<span style="mso-spacerun: yes;"> </span>And Critique Number 3a:<span style="mso-spacerun: yes;"> </span>they’re always naked!<span style="mso-spacerun: yes;"> </span>I’m not precisely sure how this is even a
critique of something except perhaps “The Jay Leno Show,” but let me at least
point out that the sex on “Girls” is only occasionally gratuitous.<span style="mso-spacerun: yes;"> </span>Compare it to the sex on a show like, say,
“Game of Thrones,” one of my favorites, and it’s downright gritty.<span style="mso-spacerun: yes;"> </span>Maybe on occasion the producers take
advantage of being on HBO, but they can be forgiven this indulgence, I think,
because as Uncle Abe likes to say, “I like sex more than ice hockey!”<span style="mso-spacerun: yes;"> </span>And so maybe the show isn’t holding a mirror
up to life, but it’s a damned nature documentary compared to, say, the worst
thing to happen to television since the invention of the internet.<span style="mso-spacerun: yes;"> </span>That’s right, “Sex and The City.” <span style="mso-spacerun: yes;"> </span>Now you’re wondering, “sure, but what do you
know about lady sex?”<span style="mso-spacerun: yes;"> </span>Not much, I’ll
admit, although I read a magazine at the dentist’s office once.<span style="mso-spacerun: yes;"> </span>But I know this:<span style="mso-spacerun: yes;"> </span>“Girls” is a show about sex and
relationships.<span style="mso-spacerun: yes;"> </span>The operative word there
is “show.”<span style="mso-spacerun: yes;"> </span>It’s entertainment.</div>
<div class="MsoNormal" style="text-indent: .5in;">
“How many damned layers of the
onion are you peeling,” you may be asking yourself by now, in particular if you
skipped lunch.<span style="mso-spacerun: yes;"> </span>“Get on with it!”<span style="mso-spacerun: yes;"> </span>You sound just like Grandpa Schlomo after his
morning bran muffin.<span style="mso-spacerun: yes;"> </span>But you’re right,
this really comes apart very quickly.<span style="mso-spacerun: yes;"> </span>It
seems to me the main critique of the show is this:<span style="mso-spacerun: yes;"> </span>it’s a fairly smart, kinda funny, pretty quirky,
sometimes realistic show about WOMEN.<span style="mso-spacerun: yes;">
</span>Acted by WOMEN.<span style="mso-spacerun: yes;"> </span>Produced by WOMEN.<span style="mso-spacerun: yes;"> </span>Written by WOMEN.<span style="mso-spacerun: yes;"> </span>And this reality gives a fair number of men
and as many women a pain in their vaginas.<span style="mso-spacerun: yes;">
</span>(Aside:<span style="mso-spacerun: yes;"> </span>is it vaginae?<span style="mso-spacerun: yes;"> </span>The plural comes up so infrequently in my
life).<span style="mso-spacerun: yes;"> </span>Is it the greatest show
ever?<span style="mso-spacerun: yes;"> </span>No, it’s not “The Wire.”<span style="mso-spacerun: yes;"> </span>But neither is “Boardwalk Empire” or “Breaking
Bad,” and those terrific shows seem to get on with their business with a lot
less internet noise.<span style="mso-spacerun: yes;"> </span>Some folks, I
surmise, can’t stand to see women succeed.<span style="mso-spacerun: yes;">
</span>Or control things.<span style="mso-spacerun: yes;"> </span>Or tell
stories about sex.<span style="mso-spacerun: yes;"> </span>Or
relationships.<span style="mso-spacerun: yes;"> </span>Or sex.<span style="mso-spacerun: yes;"> </span>Or sex.<span style="mso-spacerun: yes;">
</span>Those people are wary pedestrians standing on the side of the street as race
cars buzz forward into the future.<span style="mso-spacerun: yes;"> </span>They
should relax, have a little wine before watching television, maybe stop taking “Jeopardy”
so seriously. Or they might even turn off the TV and find someone with whom to
have sex.<span style="mso-spacerun: yes;"> </span>(I always get the good ideas
after I’ve wasted an afternoon).<span style="mso-spacerun: yes;"> </span>Anyway,
I’ll let Yardstick have the last word on this:<span style="mso-spacerun: yes;">
</span>“Oh dad, no one cares what bloggers have to say.<span style="mso-spacerun: yes;"> </span>And “race cars?!”<span style="mso-spacerun: yes;"> </span>You so suck at using metaphors.”</div>
<div class="MsoNormal" style="text-indent: .5in;">
Girls!</div>
Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-90349617784749485332012-07-17T19:44:00.002-07:002012-07-17T19:44:24.612-07:00The Newsroom<br />
<div class="MsoNormal" style="text-indent: .5in;">
As a member of the media elite and
a genius, I felt it was my duty to watch Aaron Sorkin’s new show, <i>The Newsroom</i>, and then to shout into a
yawning abyss in order to hear my own desperate voice echoing forlornly through
the vast, indifferent caverns of the internet.
In other words, blog about it.
Aaron<a href="file:///E:/Possible%20articles%20and%20blogs.doc#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[1]</span></span><!--[endif]--></span></a> has written
a sophisticated, compelling drama with an adolescent’s voice. That is to say, it’s preachy, the characters
don’t talk the way real human beings speak to each other (not that characters
on television ever do that unless we’re talking about <i>The Six Million Dollar Man</i>), and the relationships are about as
deep and believable as sitcom relationships, only with more rumpled shirts. And still, the show is totally riveting. I’m not sure, exactly, how Mr. Sorkin and
company manages this, but since I’m clearly an expert on all matters related to
the media, I will attempt to figure it out.
<o:p></o:p></div>
<div class="MsoNormal" style="text-indent: .5in;">
After re-watching an episode I took
a quick jog and then a shower and drank a cup of tea and then ate a bowl of
cherries and had a massage and then took a quick trip to <st1:country-region w:st="on">Tibet</st1:country-region> to
meditate, and then sat down to examine my own inner state. Call me Un-American, but I had to know how
and why this show was affecting me.
Don’t get me wrong: I prefer,
typically, to avoid rifling the contents of my interior on any regular, or
even semi-regular, basis since I know lurking there are demons, but looking
just this once, I figured, couldn’t hurt.
So where was I? Yes, looking
inward. And there I discovered that my synapses,
which are usually dormant unless reading (ha ha) or composing some meandering
blog entry like this one, had fired to life as if stimulated by snappy dialogue
and populist, anti-corporate rhetoric spoken by attractive, charming actors
wearing too much cologne (I’m guessing).
Seeking more evidence, I cut to the particulars of the show. It’s smart.
Quite smart. No, not about people
or emotion, but about ideas. It gets
right to the core of a problem – dumb people running things and smarter, rich
people running dumb people – and pokes a boner sized stick at it (the problem)
and them (the smart, rich people). And
then I realized: Aaron Sorkin has
actually been paying attention to what’s been going on in this country the last
ten years or so. Was I supposed to be
doing that too? Damnit! After a nap, I stopped reflecting and ate a
peanut butter sundae. <o:p></o:p></div>
<div class="MsoNormal" style="text-indent: .5in;">
I don’t expect anything much of
consequence to come from this show, but that’s because as a member of the
media, I’m required to be cynical. Thus,
I suspect that the effect of <i>The Newsroom</i>
isn’t going to be anything like boner-poking a sleeping bear, since no one
running a major corporation with its own news/propaganda division is afraid of
a drama playing on HBO and watched by as many people as attended my Bar Mitzvah
back in 1979 (er, I mean 1989). So I
can’t even say the show is gutsy since it panders to the same liberally-biased,
head-nodding, latte-drinking crowd that watches all of HBO (though I wonder
what fans of <i>Entourage</i> make of <i>The Newsroom</i>. Sample thought: “That felt good” (thought after turning the
channel to <i>SportsCenter</i>)). In fact, I very much doubt the producers of <i>The Newsroom</i> face the same upstairs pressure
to cave to special interests that the characters on the show do. HBO itself must be run by liberal, media
elitists who hate <st1:country-region w:st="on">America</st1:country-region>.
<o:p></o:p></div>
<div class="MsoNormal" style="text-indent: .5in;">
Side note: I just woke from a dream in which I couldn’t
remember the lines to <st1:state w:st="on"><i>Oklahoma</i></st1:state>,
my pants were down and I was ice fishing for minnow in <st1:place w:st="on">Alaska</st1:place>.
This self-reflection is a tough business. <o:p></o:p></div>
<div class="MsoNormal" style="text-indent: .5in;">
Oh yes: <i>The
Newsroom</i>. You may find that it
causes you to think about things. I
know, I know: that’s bad. But if it happens, do what I did: get it all out on the internet, drink a vodka
martini and watch back to back episodes of <i>Two
and a Half Men</i>. Your brain, if you
can find it, will thank you. <o:p></o:p></div>
<div>
<!--[if !supportFootnotes]--><br clear="all" />
<hr align="left" size="1" width="33%" />
<!--[endif]-->
<div id="ftn1">
<div class="MsoFootnoteText">
<a href="file:///E:/Possible%20articles%20and%20blogs.doc#_ftnref1" name="_ftn1" title=""><span class="MsoFootnoteReference"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Times New Roman","serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[1]</span></span><!--[endif]--></span></a> Ever since
our kids attended the same camp in <st1:place w:st="on">Israel</st1:place> we’ve been on a first name
basis, and even though I don’t have kids and have never been to the middle
east, I am sure he wouldn’t mind.<o:p></o:p></div>
</div>
</div>Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-15772753856488934602011-04-01T08:26:00.000-07:002011-04-01T16:04:52.125-07:00April Fools: the Boston Red SoxNever one to drink Kool-Aid, CrankyPants has decided to weigh in on the prospects of his favorite baseball team for the 2011 season. No, not the Mudville 9. The Boston Red Sox. There has been much fanfare, a fair share of ballyhoo and a smidgen of jumping up and down about this team. Every Boston Globe beat writer picked them to win the division this season. Even all of the New York Post writers picked them over the Sox hated and overpaid rivals, the Yankees, and those guys wouldn't vote for their own wives in a beauty contest. CrankyPants just doesn't understand the hype.<div><br /></div><div>Here are the facts:</div><div><br /></div><div>The Red Sox lost their best two hitters from last year's team. When that happens in most cases you would expect sportswriters to smell the coffee, see the writing on the wall and to taste whatever metaphor relates to taste. But this hasn't happened. Why? I don't know. The Sox replaced one of those hitters, their incomparable catcher, Victor Martinez, with a guy named Jared Saltalamacchia. As Grandpa Schlomo likes to say, "who?" He's a guy who got sent to the minors or Transylvania by the Rangers last year and occasionally has trouble throwing the ball back to the pitcher. Not good. They replaced their third baseman all-star, Adrian Beltre, with a shiny new, hot hitting first baseman named Adrian Gonzalez. All sorts of great things are predicted for Adrian the 2nd. He might, for example, hit .321 and drive in 102 runs and lead the league in doubles. You know: exactly replicate the numbers put up by Adrian the 1st from last year's third place team. Hmm. Still not sure how that means this team will win 100 games. Oh yes: they also signed a guy named Carl Crawford for more money than Bill Gates makes every 19 seconds to play left field. Crawford's on-base percentage in his new home park is .301. That means he'll probably put up worse numbers than the minor leaguers who played left last year did. He's also penciled in to bat third. I have no idea why, since he's probably better suited to bat 7th or 8th (or pinch run?). Adrian Gonzalez is the real deal, but it will take Terry Francona -- the coddler -- until the team is hopelessly out of contention to move Crawford out of the three slot. David Ortiz, the DH, is getting old and the team is too heavy on lefties. Oh -- did I mention all four infielders are coming off surgeries? What are the chances all four will be right as rain in 2011? </div><div><br /></div><div>I must be missing something, right? Well, certainly the Red Sox must have the best pitching in baseball, then. That's why everyone and his sister is predicting a one hundred billion win season, glory, parades and underwear strewn lawns. Well, let's examine that. The hitters last season filled in rather well for their injured mates and the team finished 2nd in runs and 3rd in on-base percentage. But the pitching was 22nd in the majors and the team was among the leaders in blown saves. In fact, for all the crying about injuries, the primary reason the 2010 team didn't make the playoffs was their pitching. This happened because Josh Beckett has lost the ability to pitch in the major leagues and Jonathan Papelbon can no longer get sixth graders out. But both are back on this team. As backup, they have 97 year old knuckleballer Tim Wakefield in case Beckett has to go on the DL (I give that two weeks). And to replace Papelbon they have a castoff from a bad Chicago White Sox team named Jar Jar Binks (or something), who weighs more than Bessie the cow and has a reputation for not getting along with his teammates. In other words, the pitching looks worse than it looked last year. Even the team's ace, Jon Lester, is anything but. He's an okay pitcher, but he's never seen an important match-up he couldn't lose. Game 7 of the ALCS in 2008: loss. Last outing of 2010 for a chance to win the Cy Young: hammered. He's good but he's not Roy Halliday or one of the true aces in the game. (Jumped in after the game started today to update: Lester got smacked around in the opener).</div><div><br /></div><div>The Yankees, meanwhile, got A-Rod, the team's most important player, back and healthy, added the Rays closer from last year (the Rays came in 1st, mind you) and have the best lineup money can buy. They've shown year after year, in fact, that the key to winning in the AL east is to stock up on hitters that grind pitchers into tiny pellets, put together a reasonable if not-great rotation and stack the bullpen. The Yankees will probably win 104 games this season. Or more. The Sox: 88? </div><div><br /></div><div>Enjoy the Sox season, but don't expect the playoffs. If you do, you'll give yourself an ulcer watching Beckett and Papelbon give up homeruns to A-Rod and his band of merry moneymakers.</div>Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-71435873434919405122010-02-16T21:08:00.000-08:002010-03-22T09:30:39.554-07:00Subway Announcements Part Deux<div>My Uncle Abe was visiting last week and asked me to give him a tour of the city. After spending nine hours waiting for subway cars and 28 seconds exploring all the city has to offer, Uncle Abe got back on his motorcycle, gave me the finger and raced away like an old man who has eaten one too many bran muffins and finds he must get somewhere very fast. Which brings me to the topic of today's blog: New York City subway announcements. My uncle found them baffling and with good reason: they're baffling. And they're not baffling in the same sense that, say, the universe or Regis Philbin's hair is baffling. Subway announcements are baffling in the sense that they don't make any sense. And sometimes they're flat out mean. And CrankyPants hates meanness almost as much as he hates that funny taste you get in your mouth after drinking milk three months past its expiration date. So, to protect his innocent readers, and in case my uncle ever decides to visit our not-so-fair city again and for anyone else foolish enough to come here without access to his/her own private helicopter, I offer the following NYC "Subway to English" dictionary. Print this out and take it with you any time you're trying to get from location X to my lovely apartment where we'll sit in the living room and swap sentimental stories about our childhoods. (For those with long memories: yes, I wrote a blog with this exact topic four years ago. It's a clear sign that my brain is devolving).<br /></div> <div> </div> <div>--<b>Stand Clear of the Closing Doors.</b> Step away from the doors so we can think (if you believe sub-simians have the capacity for thought, that is) about closing the doors when we wake from our nap. <i>You'll hear this announcement more than any other when you take the subway in NYC. To avoid, consider moving to France or Germany.</i></div> <div> </div> <div>--<b>We thank you for your patience</b>. 1) We know you lost your patience with us a long time ago, because we're incompetent. Okay, we're more than incompetent: we know how bad we are at what we do and yet we continue to raise the cost of riding our rickety system, take in billions which we use to send our children on luxurious vacations, and pretend we care when we don't. We're incompetent and proud of it! 2) Fuck you. <i>You will usually hear this jab to the groin after learning that your subway will be delayed and you'll be sharing the car and its contents (including the air) for a large portion of the rest of your life.</i></div> <div> </div> <div>--<b>Due to construction, there will be delays along this line. </b> Our union and its many <i>workers</i> (and we use this word with tongue in cheek) want their fair share of the money we're making by bilking you. Therefore, we're sending them out to sit and eat lunch on the tracks and occasionally scare away. <i>You'll often hear this announcement used on tracks in the city -- the G line, for example -- which need the fewest repairs since only about 6 trains run a day. To avoid, never travel in Brooklyn. </i><br /><br />--<b>Due to train traffic ahead, we are experiencing delays.</b> 1) See above, our union, etc... 2) See above, Fuck you.<br /></div> <div> </div> <div>--<b>Due to a sick passenger, there will be a delay.</b> Due to a sick passenger, we are going to sit in this station while real city employees bust their butts to protect the life of one our precious citizens. Imagine if we valued you even a millionth as much... Ha, made you imagine!<br /></div> <div> </div> --<b>Assaulting an MTA employee is a felony.</b> 1) We know exactly what you're thinking and if we were in your shoes we wouldn't stand for this treatment for a second, but since we're not -- in fact, we have the law on our side -- you'd better not touch us while we smoke pot, chat with other drivers and occasionally (rarely) do our job. 2) Na na na na naaaa!<br /><br />--<b>Look over there, a rooster! </b> This is an announcement you'll never hear on the New York City subway system, but it's here to make clear the distinction between useful announcements and ours.<br /><br />Uncle Abe, if you're reading this (and you are) please come back. I promise the helicopter is back from the shop!Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-28211891112595741192009-12-22T16:21:00.000-08:002009-12-22T16:25:19.505-08:00Yankee DoodlesI was sitting at my computer today reading about all manner of important issues like health care reform, the nature of existence, art and atheism when I came across a comment from a New York Yankees "fan" that lit my hair on fire. Luckily, my imaginary butler, Karlsson, was here to put out the flames and feed me milk and peanut butter cookies, but after he returned to his normal duties (inventing a cure for aging), I returned and read the post again. The so-called Yankee fan was using a word he couldn't spell -- hypocrite -- to describe the fans of other teams who spend money on players. And that's when my hair caught fire again. Yes, I thought, other baseball teams spend money on players. That's how it works. The money players are paid is called a "salary." But comparing any other team to the evil empire is like comparing dairy milk to soy milk: one is playing by a set of rules that involves cows and it's played by those rules for a long time. The other is masquerading as cow milk by mashing up some beans and mixing in some other stuff. Well, I'm not buying it. Wait, I am buying it: I love soy milk -- it's really delicious, actually, and whatever they're putting in there (probably sugar), I'm for it. I had a dream about soy milk the other night and... Wait, again, I seem to have gotten off on a tangent, which sometimes happens when my hair is on fire. The point is: there's the Yankees and there's everyone else. Imagine a world, if you have an imagination (I'd apologize for leaving Yankee fans behind just now, but I don't believe such creatures exist, only drooling bullies who'll do anything to anyone to bolster their sagging sad sack egos -- using the word "fan" to describe these creatures does disservice to real fans of real teams). Now, where was I? Yes, imagination. Imagine a world where the NBA limits the height of its players to 6' 5", but permits one team to recruit players over seven feet tall. That's the situation in baseball. From the team with the 2nd highest payroll (the Mets) down to the team with the lowest, there's a continuous slide: the biggest leap from one team to the next is a few million dollars. From the Mets up to the Yankees there's about a 70 million dollar leap. That difference is higher than the payroll of half the teams in baseball. So when Yankee fans try to pretend that it's an equal playing field, my hair catches fire. Poor Karlsson. Lucky for baseball fans that the Yankees have often been run by incompetent boobs (my apologies to cows whose boobs produce real dairy milk); and lucky it wasn't until the 90's when George Steinbrenner, the Yankees owner, figured out that it didn't make sense to buy one or two players when you could buy ALL the good players on the market every year. It's really a tribute to Yankees' incompetence that they haven't won every championship the past 20 years.<br /><br />So: the Yankees are to baseball what bullies are to playgrounds. They're to baseball what people who kick cats are to cats. They're to baseball what Wall Street is to America. The Yankees are to baseball what Al Capone was to fair play.<br /><br />Okay, I accept that. It sucks for baseball and for any real fans who might remain, but until baseball applies a true salary cap, this imbalance will remain. The Yankees have been buying championships since they bought Babe Ruth from the Red Sox and it looks like that's going to continue.<br /><br />But let's not allow Yankee fans to pretend there's an equal playing field like they pretend when they play soccer against the special needs children in their neighborhoods. Let's not allow them to pretend that what the Yankees have accomplished they accomplished because they draft well or because they're smart or because their own players are better than other teams players. They win because they have money. The rest of the league is essentially developing their future players. If you doubt this Yankees fans, then ask yourself if they could have won without A-Rod (sorry, he's the team's best player, not the defensively challenged, overrated Jeter), Teixeira, Damon, Sabathia, Burnett, and even Swisher. And that's just this year: they would not have won any of the championships of the past 15 years without Clemens, Key, Cone and all the other players they bought. (Hold on: I asked a fictional character (Yankee fan) to ask itself a hypothetical question (something this imaginary character is incapable of doing)). That's my bad...<br /><br />If you really want a fair assessment of what teams do well developing players, look at the league as a whole and see which teams have the most major league players. Which developed the most stars? It isn't the Yankees, whose "prospects" continue to flop.<br /><br />No team can compete with the Yankees and no team will be able to unless New York disappears into the ocean (and maybe that will happen, since fans of the Yankees are, by definition, fans of the many Washington lobbyists protecting their clients right to pretend global warming doesn't exist -- anything for a buck). If that happens, at least I'll be happy: sinking into the ocean is about the only thing that will keep my hair from igniting again. Now where did Karlsson, go. It's time for my nap.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-63316998141727221202009-09-27T22:11:00.001-07:002009-10-08T08:40:28.511-07:00Jonathan Kravetz interviews Jonathan Kravetz and it all ends with a scene from The Deer Hunter<span style="font-style: italic; font-weight: bold;">JK:</span><span style="font-weight: bold;"> </span>Jonathan, I'm very grateful you're taking the time to talk to our readers.<br />JK: It's no problem, Jonathan. I'm happy to do it.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Good, then let's get right to it.<br />JK: Shoot.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Some say you're a genius. How do you respond to that accusation?<br />JK: Well, first of all, Jonathan, I don't really take it as an accusation.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Oh?<br />JK: No, I think it's intended as a compliment.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> But those calling you that -- they must mean it ironically.<br />JK: Yes, I agree, they mean it ironically. Still, I choose to take it as a compliment.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> That's cheating yourself out of an opportunity to get to know yourself better, isn't it?<br />JK: Yes.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Fair enough. Then how do you respond to the compliment?<br />JK: With false modesty. Thus: <span style="font-style: italic;">If you talk to any of my friends, I'm sure they'd be happy to tell you that I'm no genius.</span><br /><span style="font-style: italic; font-weight: bold;">JK:</span> Just the opposite of a genius.<br />JK: Exactly! So, although it's flattering, I suppose I have to say that I'm just lucky to be doing what I do -- writing plays -- and I'm just lucky that people respond to them.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Are you avoiding the question, then?<br />JK: Yes.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> I thought you would. Let me ask you this: do you really think people are responding to your plays?<br />JK: I'd say yes, they are. After a performance, frequently people come up to me and pat me on the back and say things like, "I really enjoyed that," or "You're very funny, you should write for cable television."<br /><span style="font-style: italic; font-weight: bold;">JK: </span> And you believe these people?<br />JK: Not really, actually, but I continue writing plays, anyway.<br /><span style="font-weight: bold; font-style: italic;">JK:</span> You're a bit of a self-deluding sort, aren't you?<br />JK: Yes. But I believe a bit of self-delusion is necessary to get through life. If we honestly assessed ourselves every moment of every day, we'd probably jump off the Brooklyn Bridge.<br /><span style="font-weight: bold; font-style: italic;">JK: </span> Ha ha!<br />JK: He he!<br /><span style="font-style: italic; font-weight: bold;">JK: </span> What sorts of subjects inspire you?<br />JK: Hmm, that's a very interesting question.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Thank you.<br />JK: Well, to begin with, I'm inspired by stories where the author creates his or her own world -- a place that lives in the author's head and only there -- in response to experiences in the real world. Sort of speculative/realistic? But maybe that describes all stories.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Can you give examples?<br />JK: Sure. I really like the film <span style="font-style: italic;">Brazil</span>.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Oh, yes, of course.<br />JK: And <span style="font-style: italic;">Eternal Sunshine of the Spotless Mind</span>. Or a comedy like <span style="font-style: italic;">Groundhog Day</span>. I think the late great Billy Wilder was also something of a master of this sort of thing, though he was much subtler. Films like <span style="font-style: italic;">Double Indemnity</span>, <span style="font-style: italic;">Some Like It Hot</span>, <span style="font-style: italic;">The Apartment </span>-- they take place in a universe that's eerily familiar, but where people talk and behave in a heightened manner. All of these stories explore existential issues in gripping, intriguing ways. At least, to me.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> So you're concerned with existence, then?<br />JK: Yes, I think that's fair to say. Even my comedies. Take <span style="font-style: italic;">Better Lucky Than Smart</span>, for example -- on some simple levels it's about greed.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> I love that title, by the way.<br />JK: Oh, thank you.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> No problem.<br />JK: It's about greed, but it's also about who we are when we simply become striving, dreaming creatures. All the characters in the play strive for -- they desperately desire -- something that they think will make them happy. It's the American dream, if you will -- and they're trapped, ultimately, by their dreams. They can't enjoy what's right in front of them. They can't simply live.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Yes, yes, and it's only the childlike Duke who can see what's going on.<br />JK: Very perceptive, Jonathan. Yes, Duke, expresses the play's theme in the scene where he talks with young Tyler about the difference between luck and reality.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> It's quite captivating.<br />JK: That was a joke, right, because Tyler is tied up?<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Am I trying too hard?<br />JK: Not at all. I appreciate a good pun as much as the next man.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Anyway, it is a thrilling scene.<br />JK: Thank you. And I hope it's funny, too.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> It's not Seinfeld, but what is?<br />JK: Is that a rhetorical question?<br /><span style="font-style: italic; font-weight: bold;">JK: </span> You can answer it if you'd like.<br />JK: Well, I love Seinfeld. Many people do. However, I'm deliberately trying to avoid writing sitcoms. I think sitcom-ish writing has become a plague in the playwriting community.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> What do you mean?<br />JK: Simply put, too many writers think they can substitute situational writing for character development. The writing ends up flat and uninteresting.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> That does sound bad.<br />JK: It is.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> What else are you working on?<br />JK: I have a reading of my play, <span style="font-style: italic;">The Beast in My Pants</span>, coming up shortly with Emerging Artists Theater. When I have the details, I'll post them on Facebook, but I do know the reading will be Sunday, October 25th at noon.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Is that really the title?<br />JK: Yes.<br /><span style="font-style: italic; font-weight: bold;">JK: </span> Wow, that might the greatest title in the history of theater...<br />JK: Well, I don't know about that, but...<br /><span style="font-style: italic; font-weight: bold;">JK:</span> I just peed my leg.<br />JK: You did pee your leg, I feel it trickling into my sock. Jesus, Jonathan.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Well, that's a funny title.<br />JK: Control yourself!<br /><span style="font-style: italic; font-weight: bold;">JK:</span> It's funny!<br />JK: Oy.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> What inspired that play and what's it about?<br />JK: Well, it's similar to <span style="font-style: italic;">Better Lucky Than Smart</span>, in that it's about people full of unfulfilled desires. In this case, there are six characters and each is trying desperately to learn to love. And failing miserably.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> Sounds depressing.<br />JK: Not at all. It's just human nature. The way we fly at each other in various ways and miss connecting. It's actually quite funny. There's an inane therapist, Doctor Adam Applebaum, who is trying to seduce his patient, Steve, who is in love with his wife and wants to earn her respect, only she loves men who <span style="font-style: italic;">don't</span> respect her. The protagonist, Marlon, is confused by it all and is trying to learn to love Pam, a pretty college student, but she can only love a genius, like Adam Applebaum. Meanwhile, Marlon's mother, Mrs. Rivington, is threatening to kill the therapist -- she's killed five husbands already -- because she's afraid Marlon will blame all his problems on her. Doctor Freud, a puppet that Applebaum talks to, tries to sort it all out, but of course fails.<br /><span style="font-weight: bold; font-style: italic;">JK:</span> That sounds horribly sad.<br />JK: No, really, you'd like it. It's funny.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> I'm going to kill myself.<br />JK: Wait, what?<br /><span style="font-style: italic; font-weight: bold;">JK:</span> I'm pointing a gun right now at my head.<br />JK: Put that down.<br /><span style="font-style: italic; font-weight: bold;">JK:</span> I'll do it, don't come any closer.<br />JK: I said... On no! Jesus! No! Jonathan? Jonathan, speak to me! Jonathan! Jonathan! Jesus! Someone call an ambulance! Hurry! Jonathan!!!Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-15794885181095125312009-08-17T19:34:00.000-07:002009-10-11T08:42:53.101-07:00Application to P.C.U.I was applying to several writing programs a while ago and had trouble figuring out exactly the right tone to strike: Dignified? Brilliant? Sweet and lovable? How do you impress evaluators? Finally, I decided to just tell the truth. So here is my application letter to all the places looking for the perfectly P.C. candidate:<br /><br /><span style="font-style: italic;">I was born a poor black child in the south. My mother was a lesbian and I think about lesbians a lot. My father was gay and black and Chinese and he traveled a lot with the circus and, sadly, he was a midget. But being a midget and black and Chinese and married to a lesbian, didn’t stop him from pursuing his dream of forming an all-midget, black, Chinese, lesbian elephant taming troupe. His drive and determination has inspired me to pursue my own goals of helping poor, black, Chinese, lesbian midgets with my writing. I’ve been in writing groups before, but they’ve been made up mostly of tall, white, straight people and they have rarely been able to help me find my voice. I am hoping the Writers Program can help me find my midget, black, Chinese, lesbian voice, as I heard a rumor that the workshop will be comprised of a diverse group of Americans. And diversity is what I need – in spades! – to write about black, Chinese lesbian midgets.</span><br /><br /><span style="font-style: italic;">Did I mention that I have a lisp? Well, I do, and it generally makes people feel sorry for me. But people with lisps are people too, and I hope, with the aid of the black, Chinese, lesbian midgets I’ll meet in your program, to teach a larger audience (teaching is what writing is all about!) that lisps are nature’s way of saying, “you’re thspecial.”</span><br /><br /><span style="font-style: italic;">So in summary: lisps and diversity equal goodness. I equal goodness.</span><br /><br /><span style="font-style: italic;">p.s. I own a monkey and sometimes I touch it in inappropriate ways. But people need to learn that monkey molesters… well, you get the picture! WINK WINK!</span>Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-80371607111286524732009-05-13T20:12:00.000-07:002009-05-14T19:43:11.374-07:0031 Days to a better blog Day 7Since I started writing in my blog again (after traveling into the vast reaches of space over the last year), many of you have written and asked me to destroy my computer and return to Uranus. But there were two of you (thanks Mom and Dad) who wanted to know what this whole 31 days to a better blog dealio is. Mom, Dad, meet Darren Rouse. He has a blog called Problogger.net, which, coincidentally, is designed to help people write better blogs. Very lucky he picked the name Problogger when you stop to think about it.<br /><br />Today's assignment is... oh, wait. I'm a day late. This is day 7 and it's day 8, so CrankyPants is actually catching up on missing a day of improving his blog. Yesterday's assignment was to link to another blog and say a few nice words about it. I did that above, as you can see. And most days CrankyPants would be satisfied with doing the absolute minimum so he could spend the rest of his day doing valuable things, like daydreaming and watching NBA basketball games and thinking deep thoughts (examples of deep thoughts: why do I exist? Is that really Dirk Nowitski's haircut? Does anyone not find Drew Barrymore adorable?). But today is not just any day. Today is the day after the day I was supposed to do this assignment, which makes today yesterday. And yesterday was a special day, because it's not today. Confused? Don't be. Or, as my Grandpa Schlomo likes to say, "Get to the point, you putz." My point is: I'm going to link to TWO blogs. That's right, two. Could you ask for a better deal? You could, but then you'd be greedy and I'd have to kick you in the shins. So here's the second link: <a href="http://heymarci.com/">Heymarci.com</a> (You gotta click on "blog" to get to the blog, but I'm going to assume you can figure that out because you're a genius). Marci, a former New York Times blogger (yes, that's impressive) is the lovely and amazing and inspiring former lawyer turned journalist/teacher who convinced me to improve my blog. You should visit her site if you're interested in any of the following:<br /><br />--Writing;<br />--Changing your career;<br />--Short women who grew up on the Jersey Shore;<br />--Blogging;<br />--Classes in journalism;<br />--Drew Barrymore.<br /><br />Go ahead. Check out her site. I dare you: http://heymarci.com/ Or check out Darren's if you have a hankering to improve your blog (or to make a living from blogging): <a href="http://www.problogger.net/">http://www.problogger.net/</a><br /><br />Now, one last very important... oh, wait. Grandpa Schlmo has gotten into the cole slaw again. I gotta run. Until next time, have a Cranky day...Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-26523212694549951392009-05-07T21:06:00.000-07:002009-05-07T21:42:55.067-07:00a GREAT listFor the past year, CrankyPants has been traveling on a spaceship to the outer reaches of the galaxy. For those of you who have swamped this blog with letters begging for more posts, I have bad news for you: you don't exist (although I did get one letter from my Aunt Edwina asking me to leave my Uncle Abe out of my posts, because he's getting a swelled head). For those of you who have not swamped this blog with letters, I have this to say: I love letters. Who doesn't love letters? No one doesn't, that's who. So write me. According to my doctor, I do exist. And I'm lonely. Which brings me to the point of today's blog: blogs.<br /><br />I'm writing today because I'm taking part in a "31 days to a better blog" program and even though there's no way my blog could be better, I have acknowledged that one way it could be better is if I wrote in it more than once a year (although several of my therapists vehemently disagree). So here I am. Today's assignment is to create a list. Thus, with no further ado, drumroll please... Here's a list of eight things CrankyPants could have been writing about the last year, but didn't because he was busy fliring with alien lifeforms:<br /><br />1) Barack Obama. I love the guy. Except lately he reminds me a little of George Bush, who I love as much as I love that kid on Winslow Drive who used to beat me up every Saturday morning just to keep his nails short. More and more Barack seems like a member of the club. You know, THAT club. I'm no financial expert, but being a blogger and a jerk, I feel qualified to say that the financial system isn't going to get fixed by rewarding bankers who make money out of nothing in the first place. Give money to people who make useful stuff. Maybe stuff to improve our environment. Or solve our energy problem. Or keep dogs from pooping on my front stoop. Whomever! Just give it to someone who produces something good and useful in the world. Maybe give it to, say, a fabulous blogger playwright? I'm just thinking out loud here...<br /><br />2) Slumdog Millionaire. A few years ago I made the claim that Crash was the worst Academy Award winner since Gigi. I was, of course, correct. But this year's winner has me pulling out my teeth and clipping my nose hairs. The nicest thing I can say about Slumdog is this: it's a heck of a good episode of Who Wants to be a Millionaire. At least that's what I told people for the first few months after viewing that sentimentalist, dreary, cynical crapfest (the kid plummeting into the shit got off easy since he didn't have to sit through the movie). But I've come around on my thinking: Who Wants to be a Millionaire has had some interesting guests. Some real people with real personalities. It's actually better than Slumdog most days. So why did the movie win? Because it's simple, stupid and really, really stupid. It's just stupid. It's... well, it's stupid.<br /><br />3) The decay of modern civilization. See above. Plus, the closing of newspapers and the decline of the publishing industry, and the decline of the environment, and the rise of emotionalism and the decline of Tom Brady's knee.<br /><br />4) Television. Amidst the decline of modern civilization, television has hit a golden age: Battlestar Gallatica, The Wire, Freaks and Geeks (okay, that's going back a bit), The Sopranos. And I'm leaving out a handful of others.<br /><br />5) Angela Rommelcurd. She's this hot babe that hangs out around Jupiter. We had a little tryst last year, but I don't like to kiss and tell. (Hold up your hands if you thought I was going to use "Uranus" in the first sentence of this paragraph. You make me sick).<br /><br />6) Dating. Actually, in a meta sort of way, I have written about dating. That is to say, I've said, by saying nothing, all there is to say about my romantic life. (Except for Angela Rommelcurd, of course, who exists only in my brain). Why is dating so difficult? I thought it was because I have high standards: half a brain, a whole body, emotional stability. But it turns out I have too-high standards. Oh, and apparently women have standards, too. Who knew?<br /><br />7) Hair. How is it that the hair on my face seems to be getting grayer all the time? And my hip is aching? And don't tell me it's because I'm aging, because I'm not.<br /><br />8) Bunions.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-74733963276292082772008-03-26T20:39:00.000-07:002008-03-27T14:35:09.411-07:00Three Bad WordsBeing an American and a genius, I'm entitled to stomp on the rights of others while trumpeting the benefits of secular ideals, like free speech. That is to say, there are three words that I think should be stricken from the English language. I'm sick of hearing them. Young people today (and by "young", I mean anyone who uses a cell phone) have as much verbal dexterity as your average goat. Not that I have anything against goats: they're really cute and if they didn't insist on shitting all over my living room floor, I'd adopt one. But I prefer goats that are...well, goats. Not humans. Human goats are a plague on our society that must be stopped. Which gets me back to my original point: banning words. Without further ado, then, here's my list of three words that should be stricken from the English language. Those overheard violating this rule will be strung up by their shoelaces and forced to watch reruns of Sex in the City until there's nothing left of their brains except mucus and high heel shoes, which we'll then drain and feed to farm animals.<br /><br />Word #1: "Like." I was, like, talking to my Grandpa Schlomo about this word and we got into a really bad argument. I was like, Man, the word "like" is used a lot nowadays, and he was like, Vat?, and I was like, Grandpa I think I peed my pants, and he was like, Save some of your Grandma's rice pudding for me, and I was like, Do you think we should, like, ban that word from the English language, and he was like, You ask me another stupid question and you know where this boot's gonna wind up? Like, it was intense.<br /><br />Word #2: "Literally." Literally is literally the most overused word on the planet! Literally! Later, after our intense argument over the word "like," I asked my Grandpa Schlomo if he'd chilled out at all and he was literally madder than a Dad on Mother's Day. He was like, I don't know what you people are saying most of the time. He was literally crazy! I was like, No problem Grandpa, you're just old and so you've lost track of what's hip, and he was like, I wasn't even born in this country and I talk better than most college graduates. He was literally kicking my ass. I was like, Do you think people are just stupid now, and he was like, What do you tink, Einstein? He was literally awesome.<br /><br />Word #3: "Awesome." The word awesome is literally awesome. After my Grandpa Schlomo removed his boot from my buttocks, I was like, That was an awesome butt-kicking, Grandpa, and he was like, Do you even know what the word "awesome" means, and I was like, Aww, Grandpa Schlomo, you're so funny and then he had a heart attack and I rushed him to the hospital. I was literally scared. The doctor who saw Grandpa Schlmo was like, You didn't have a heart attack, you just ate too much rice pudding, and I was literally shocked, and Grandpa Schlomo was like, Take me to a porno, and I was like, you're soooo awesome! Like, it was literally the most awesome moment in the history of man!<br /><br />I'm guessing there are other words that deserve banishment, but I'm not thinking of them right now. Although I must admit, after writing this, that it's not a word's fault when it's used incorrectly. It's the speaker's. So maybe we should just ban free speech altogether. At least the sidewalks would be quieter.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com3tag:blogger.com,1999:blog-21592063.post-9911017129053120372007-12-25T20:56:00.000-08:002007-12-25T21:53:11.877-08:00X X-MasBah-Humbug. <br /><br />I was having a cranky holiday chat with my good friend Mr. Tito when suddenly he broke into song (something about a reindeer with a shiny nose) and I suddenly felt compelled to get up and remove his vocal chords using a delicate operation I learned while serving time in sing sing (pun intended because I've had too much apple cider today). I felt a twinge of remorse as I untangled my fist from Mr. Tito's larynx and that's when it occurred to me: why the heck am I forced to endure/celebrate Christmas at all? Isn't this supposed to be a secular society? I asked Mr. Tito this question, which created an uncomfortable and awkward silence. After seeing Mr. Tito to an ambulance I called up my Grandpa Schlomo and asked him what the true meaning of Christmas is. His answer: "Oy, your asking an old Jewish man the meaning of Christmas, what, do you have plum pudding for brains?" But this got me thinking, something I try to do only when I'm doing laundry, or fantasizing about ways to convince Cate Blanchett that what she really needs is a cranky man who will take her on long walks along the beach in Venice, CA and who will attend all her preview screenings, even when critics are incorrectly comparing her performance to other actors who can't hold a candle to her grace and elegance, and who will give her all the love that any woman could possible require. Wait, what was I talking about? Yes, I was thinking. I was thinking that Christmas and Christians have imposed this holiday on all the rest of us who would rather use this day for something constructive, like going to work or helping our neighbor with her virgin birth (talk about defective condoms...). And for what? What, exactly, are we celebrating here?<br /><br />Well, first off: Christmas ostensibly is the celebration of the birth of Christ. At least, that's what I think it is. But I don't care about the birth of Christ. So why must I, Jews, athiests, Muslims and stockbrockers be forced to take this day off? It's a holiday for Christians, no? Why must all the rest of us suffer for it? But I have a feeling that if I let my views about all this come to light, I would dramatically reduce my chances of winning the upcoming presidential campaign. Come on, all you Christians, lighten up. Err. Sense of humor, it appears, is inversely proportionate to religious faith, which is too bad because if religious folks could laugh at themselves they'd realize that they look really funny wearing those god-awful sweaters (I can't stop the puns tonight, so accept my apology in advance). <br /><br />Second off: Christmas really isn't a religious holiday and Christians who say it is probably are trying to kid you or themselves. I'm no religious scholar, but I'm American and so this sense of entitlement permits me to say, with little authority, that December 25th has been a holiday as far back as the Romans. It's essentially a pagan celebration and many of its trimmings (someone stop me!) have absolutely nothing to do with Christianity: like Christmas trees and lights and It's a Wonderful Life. Heck, even most religious folks agree that Christ, if he actually lived, wasn't born on December 25th, but folks were already celebrating that day way back when so someone around 1,800 years ago decreed it ole Jesus' birthday. And you know what? Christmas didn't really take off here in the states until Mr. Washington Irving wrote his famous, "A Visit from St. Nicholas." Then people (lets call them "Americans") started imitating the Christmas traditions that he'd mostly made up (including exchanging gifts) and within 50 years Ulysses S. Grant declared the day a national holiday so everyone could shop til they dropped (Ulysses could never get enough socks, apparently). So even the tradition of buying last minute scarves isn't yet 200 years old. (I've truncated greatly the history of Christmas here, but it's easy to look up if you're really interested, which most scholars are not because for them, one sad fact remains -- beliefs matter more than facts).<br /><br />Which brings me to third off: Christmas is and has been and always will be (at least until this country undergoes a religioscopy) a day celebrating capitalism. I'm fine with that, because I like to have a job and I like other people to have jobs because, while it makes me cranky, it tends to make the economy rather happy. And even though we all may be pathetic slaves to the almighty dollar, that question (whether or not we should all rebel and move to Aruba with Cate Blanchett) is one for another blog (or several hundred-thousand Marxists Phd dissertations collecting dust on thousands of university shelves around the country). My point is: why do we have to dress this day up in religious garb, and if we do have to dress it up in religious garb, why must it be the religious garb of a man named Santa Claus who was invented by a German cartoonist in the 19th century? Err, why must we dress it up as a pagan disguised as a Christian? It's all so much kidding ourselves, and for what? So families can gather annually and make each other really miserable while they exchange gifts, eat fatty foods and increase dramatically their collective chances of having a massive coronary? <br /><br />I call upon all civilized, secularized humans everywhere to stop celebrating this bogus holiday. Buy your friends socks and silly trinkets, but call it "Save Our Economy's Ass Day" or "Socialized Medicine is for Pussies-Mas". And spare me the heaping helpings of hypocrisy and self-denial. <br /><br />Okay, I've written plenty for today. Have a lovely "I'd Rather Be Having Sex Day" and try to stay away from TBS' insane 24 hour "A Christmas Story" marathon. You're likely to shoot your eye out.<br /><br />Charles Dickens bless us, everyone.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-69658585143654958622007-09-08T08:24:00.001-07:002007-10-01T13:49:16.024-07:00Weltschmerz<span class="blsp-spelling-error" id="SPELLING_ERROR_0">CrankyPants</span> suffers from a <span class="blsp-spelling-corrected" id="SPELLING_ERROR_1">debilitating</span> disease and thankfully for him, most of the people he hangs out with in life (mostly puppets and imaginary characters) are chipper and upbeat, otherwise I would probably spend all my time watching television with Uncle Abe and eating peanutbutter cookies. I could easily see myself gaining 200 pounds and becoming addicted to The View (Barbara Walters just <span style="FONT-STYLE: italic">gets</span> me).<br /><br />Here's the disease I'm referring to:<br /><br /><span class="blsp-spelling-error" id="SPELLING_ERROR_3">weltschmerz</span> \<span class="blsp-spelling-error" id="SPELLING_ERROR_4">VELT</span>-<span class="blsp-spelling-error" id="SPELLING_ERROR_5">shmairts</span>\ noun, often capitalized<br />*1 : a mental depression or apathy caused by comparison of the actual state of the world with an ideal state 2 : a mood of sentimental sadness.<br /><br />Is there a better word in the English language? Okay, there may be a few (sex, cookie, tuba), but to me "weltschmerz" captures the entire problem of my brain: I'm forever wondering how things could be better. I wonder why they SHOULD be better.<br />--If only people didn't give me the finger while I'm attempting to parallel park my car in New York City.<br />--If only I didn't have to grow old. If only the subways ran frequently and on time.<br />--If only my ears didn't itch all the time.<br />--If only it never got humid outside. If only people didn't meet my happy-go-lucky smile each day as I skip out of my home with a nasty glare and a "whatta you lookin at."<br />--If only people understood morality is something that we must all agree on, not something that comes from fantastical dogma.<br />--If only I didn't love peanutbutter cookies so much.<br />--If only I could complete one important task at a time and not be distracted by a million... <br />--If only I could spend 5 years traveling.<br />--If only I didn't feel guilty every time I... (wait, I'm feeling guilty about writing this).<br />--If only politicians cared more about helping humanity and less about making money for their buddies.<br />--If only I had more time to write in this blog.<br />--If only there were answers. Real answers, not just more questions.<br />--If only I was less Cranky and felt less inclined to write in this blog (curse you weltschmerz!).<br /><br />I never would have discovered this word if I hadn't taken the GREs about nine months ago. Inspired to do well, I subscribed to Merriam Websters Word of the Day. Alas, the word did not show up on the test. but I highly recommend you take it out for a test drive. You'll find it more satisfying than anything else in the world.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-81130888194812394922007-04-19T13:35:00.000-07:002007-04-19T22:36:22.096-07:00GunsOkay, this one is obvious, so I'm not going to spend a lot of time on it. Spending a lot of time on this subject would only make my stomach hurt and my head begin to come apart at the seams. The inside of <span class="blsp-spelling-error" id="SPELLING_ERROR_0">CrankyPants</span>' head, as those who have glimpsed it can attest, is not a pretty place full of flowers and scented candles -- lets all hope what's inside stays there.<br /><br />Guns should not be legal. It's that obvious. And what makes it even more obvious is what happened on the campus of Virginia Tech this week: a deranged psycho bought two guns (the process took about 1 minute), then later went on a killing rampage. There are going to be sick people who're going to want to blame the parents of <span class="blsp-spelling-error" id="SPELLING_ERROR_1">Cho</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_2">Seung</span>-Hui, and some, even worse, who will point the finger at the school or the poor crisis center workers who failed to recognize the ticking time bomb when they saw it. I hope no one sues that Center, by the way, because there are thousands of kids as or almost as crazy as <span class="blsp-spelling-error" id="SPELLING_ERROR_3">Cho</span> and no one is locking them up either. And besides, there's no way to be sure if the solemn, over-serious person sitting in front of you is more likely to go on a killing rampage or simply turn into a sad-sack screenwriter -- it's a tough, thankless job. No, they're not responsible. Cho Seung-Hui is responsible for killing those kids. He is, along with the gun companies and their lobbys. My psychologist friend, Dr. Cindy, had this to say about the whole thing: "The only way to stop this from happening again is to make guns illegal. You can't lock up the crazies, because that would be a third of the population."<br /><br />Of course, the gun lobby is one of the most powerful forces in D.C. so guns are going to stay legal. Our country, for those who have been on vacation in Bermuda the last century, is actually being run, and lead by corporate interests. And so, the guns will stay. But what burns my buttons as much as actual gun lovers are the big media moguls. In fact, they're <span style="font-style: italic;">more</span> disgusting than the gun companies: Smith & Wesson sells the ability to maim and kill, and rather cheaply. CNN sells, and at an <span class="blsp-spelling-corrected" id="SPELLING_ERROR_4">exorbitant</span> rate, the endless exploitation of that maiming and killing. They sell blood and gore because they know audiences will lap it up, and after all, who cares about ethics, all that matters is making money, right? Why did CBS have to play <span class="blsp-spelling-error" id="SPELLING_ERROR_5">Cho's</span> rambling, psychotic video? Why do newspapers run articles about how oppressed he was? He wasn't oppressed, he was crazy -- he needed medication and years and years of treatment. Oh right -- rambling video's sell lawn mowers. If gun's were illegal, gun manufacturer's would be out of business, but things would <span style="font-style: italic;">also</span> be awfully slow on CNN and ABC. What would they cover? Plane crashes are infrequent and the Iraq war has actually gotten Americans killed, so that's not so fun anymore. Maybe they'd actually have to cover the news. But there's no money in that.<br /><br />Doctor Cindy said that if the government promises to make guns illegal she'll buy lollipops and balloons for every congressman in D.C. Wouldn't that, plus saving the lives of thousands of people and stemming the cult of violence in our country, make it worth it?Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1175358766786769692007-03-31T10:20:00.000-07:002013-06-10T08:09:35.348-07:00Chocolate JesusThis week in New York an exhibition of a nude, anatomically correct chocolate sculpture of Jesus was canceled after Cardinal Edward Egan and some other pissed off Catholics complained. This raises the hairs on the back of the hairs on the back of my neck. Catholics -- okay, Christians... okay, religious people of every race, nation and disposition toward chocolate, have to be able to take it if they want to dish it out. It has to be okay for athiests, scientists and other rational people to point out the superstitious, irrational nature of religion. But somehow it's become taboo to point out what seems to me and Grandpa Schlomo to be glaringly obvious: religious stories are made up stories, the same way Peter Pan and Alice in Wonderland are made up. It's easy to laugh at the beliefs of scientologists (and I do laugh), but are their beliefs any more absurd than those of Jews, Christians, Muslims, Mormons or tax attorneys? Jesus came back to life? There's a god up in heaven who is keeping a scoresheet he'll later use to decide if you belong in heaven or hell? Heaven? Hell? Come on!<br />
<br />
But that's besides the point this week: even if you want to "believe," if you put faith above rationality and science, you have to be able to stand criticism of your beliefs. The Christian right seems to have declared a war on science and evolutionary theory; meanwhile it's not okay to point out the absurdity of a church on every block in my neighborhood with a sculpture of a guy staked to a cross? Err...<br />
<br />
In the case of chocolate Jesus, I'm not even sure what they're pissed off about. I mean -- it's a chocolate Jesus! I could understand if they disagreed with the aestetics of sculptor Cosimo Cavallaro. I mean, why milk chocolate? Wouldn't a dark chocolate Jesus say more about Jesus' decision to die for our sins? What would white chocolate have said? Is Cavallaro, by sculpting a milk chocolate Jesus, trying to steal the big guy away from the white folks. Are there really white folks afraid that Jesus is getting away from them? Maybe milk chocolate -- made up of black looking chocolate and white milk -- is a perfect blend. Why can't we all get along? That's what Jesus would have wanted, right?<br />
<br />
So I just don't get this. I consulted my neighbor, Peter Skillsberrysonburg, who happens to be an expert on everything, and he told me to get off his front stoop because I was blocking his view of Amanda Silkyskin who lives across the street. But when pressed, Peter did concede that he didn't understand what the fuss could possibly be about, and added, "I'd have sculpted Jesus out of JuJu Bes -- that would have taught them all a lesson!" He's right -- "JuJu" has the word "Jew" right in there. Twice!<br />
<br />
One reason I don't understand what all the fuss is about is because I don't understand what all the fuss is about. It's a chocolate Jesus! I don't know what statement Cavallaro was trying to make in the first place, so how can anyone be upset by it. Was he saying: "Jesus is tasty and delicious!" Okay, maybe, but so what? Or maybe he was saying: "Jesus melts in your mouth, not in your hands!" Okay, I'm not sure I'd agree with that, but JC's body has been decaying a very long time, so who knows. Or maybe: "Jesus died for your sins, and that makes him sweet and loving. Like Chocolate!" Or maybe the sculptor, who actually is renown for sculpting things out of food, just didn't put much thought into it at all. Maybe he's another mindless twit artiste who just makes things to make them. If so, then he's as bad as all the religious folks who have thrown meaning and thought out the window in favor of beanstalks and other bedtime stories.<br />
<br />
Cardinal Egan described the sculpture as a "a sickening display." Eating that much chocolate would certainly give the Cardinal a tummy ache, so we'd better keep him away from the Hershey theme park in Pennsylvania. Bill Donohue, head of the watchdog Catholic League, said it was "one of the worst assaults on Christian sensibilities ever." Okay, I couldn't help laughing out loud over that one. One of the worst assaults on Christian sensibilities? Ever? I think Donahue is either insane, or I really don't have a very clear idea of what Christian sensibilities are. Hitler wasn't worse? Chocolate Jesus is worse than Hitler? Or are they in the same category? What about all the Christians Stalin killed? Or heck, what about the Romans? Didn't they staple Jesus to a cross? But I guess these offenses don't assault Christian sensibilities, only Christians.<br />
<br />
Apparently the gallery was overrun with angry phone calls and e-mails. Cavallaro received several death threats. I guess he really did assault Christian sensibilities, because a bunch of Christians were willing to break a commandment to prove it.<br />
<br />
Look, I have nothing against people deluding themselves, as long as it doesn't infringe on my rights. But lately it seems as though it does more or more, and now religious zealots have infringed on Cavallaro's right to sculpt something stupid. I may not like his sculpture, but I absolutely believe he has a right to sculpt whatever he wants out of milk chocolate. So my sensibilities have been assaulted by this whole inane affair, and until yesterday I didn't think I had sensibilities, just a persistent ringing in my ear and an endless headache. If you can't take a little criticism of your beliefs (and chocolate Jesus wasn't even that!), then you're beliefs can't be worth much, can they? Doesn't all this cry baby crap remind you of a child who throws a hissy fit when someone tries to tell him there's no such thing as the Easter Bunny? Thank Jesus no one has had the audacity to make an Easter Bunny out of chocolate! Imagine the outrage!Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com1tag:blogger.com,1999:blog-21592063.post-1170174723143273242007-01-30T08:20:00.000-08:002007-01-30T10:33:17.780-08:00Blog TagI've been tagged. For those of you who don't know what this means, click here: <a href="http://pulverblog.pulver.com/archives/006087.html">http://pulverblog.pulver.com/archives/006087.html</a>. CrankyPants doesn't like being tagged any more than he likes being run over by an 18-wheeler barreling down the highway at near the speed of light, but that's because CrankyPants doesn't like to be told what to do. CrankyPants also hates it when CrankyPants refers to himself in the the third person, but that's a topic for another day. So my friend, let's call him Alan Shepperd (<a href="http://philipshane.com/">http://philipshane.com/</a>), tagged me. Alan is the sort of uncranky sort who loves the site of beautiful vistas in the morning, who gets off climbing mountains and walking in the desert, who can't bear the clusterfuck atmosphere of New York City so has to escape, tail between legs, to Los Angeles (with his lovely and talented wife) where everyone drives like a human being and people smile and say hello and wave to you from their cars if you wave at them, and where the temperature is 70 degrees and sunny on the worst days of winter and where the Mexican food tastes like Mexican food and where fruits and vegetables taste like fruits and vegetables. You call that living?<br /><br />I was going to write a nasty letter to Alan and to the CIA (and, just for spite, to Steve Jobs), but I had a large bowl of bran cereal this morning so I'm feeling unusually mellow. Still, I wasn't going to be coerced into a tag response until I talked the matter over with my Grandpa Schlomo who said, "Oy, my blog is so bad in the morning sometimes I have to squeeze my own juice, if you know what I mean." I didn't, but that made me realize that life is short and I shouldn't waste it sitting at my computer reading thought-provoking essays and the New York Times when I could, instead, be joining the mass of self-important blogophiles. So without further ado (and sadly, no accompaniment), here are FIVE THINGS YOU DIDN'T KNOW ABOUT ME:<br /><br />1) I hate blogs. It's a paradox, I know, but why didn't you know this about me? Haven't you been paying attention? Blogs are another of those cultural memes that have come to represent "everything that's wrong about us." It's all about "me, me, me, so shut up and pay attention to <strong>me</strong>." Alas, CrankyPants is many things: an elite cultural critic, a gourmet chef, the former star of the television show "Emergency," and a victim of the very culturalness that he so haughtily critiques. That is, I'm split into two crankypanted people, the one who loves and embraces all things new and American and wasteful, and the one who'd rather watch a Patrick Swayze film marathon while sitting next to Dick Cheney than read another self-indulgent blog. That's right, the truth is out, and the Culture Lovin' CrankyPants has finally to confess this: if I could be any Star Trek character in the world, it'd be Captain Kirk, fighting lizard-like aliens and making love to sweet, green alien ladies, and <u>NOT</u> that CrankyPanted vulcan, Spock! Bonus: I also hate that my blogger spellcheck flags the word "blog."<br /><br />2) I like sports. Many of you do know this about me, but I'm always amazed that people who first meet me (and don't go running off to Los Angeles) are stunned to learn I follow several sports teams and captain a softball team. Sure, sports culture around the world is a disturbing example of the worst aspects of humanity, such as our intransigent desire to be part of a tribe, to identify with something bigger, cooler and better looking than ourselves (because we're afraid to confront our own "I-ness"). Sports fandomness is surely a sign of an immature mind, but I'm CrankyPants. Did you think I was Albert Schweister or Elvis Presley or something? Here's hoping the Colts fall on their faces in the SuperBowl!<br /><br />3) I used to be short. That's right, I'm a strapping lad of six foot, one inch now, but I grew very, very slowly, so when I was a freshman in high school I was one of the shortest kids in my class. Ditto my sophomore year, but then I started eating fruits, vegetables and Mexican food and something amazing happened. I kept growing, and growing and by my senior year, I was taller than all of my friends. Very satisfying at the time, but alas, the dye was cast before I sprouted: deep down, I still think and act like a short guy who can't get attention unless he jumps up on a hotel bed, strips off his clothes and sings his favorite musical numbers. Oh yeah, I did that once in a hotel room in front of my friends and my sister when I was eleven years old.<br /><br />4) My favorite word is weltschmerz. \VELT-shmairts\ noun, often capitalized: "a mental depression or apathy caused by comparison of the actual state of the world with an ideal state." It's my favorite because I think there should be an English word for this, and because I think Weltschmerz is the source of all the suffering and misunderstanding in the world, and on soap operas. I know it's the biggest problem I have, because I'm always comparing reality to an idealized state and thinking, "damn, if only they didn't call that one penalty on Troy Brown in the first half of the game, the Patriots would have beaten the Colts," or "if only I'd spoken to that woman on the subway platform I'd be married now with two smart kids and living in a warm, happy place like Los Angeles instead of living here, in this institution where they insist daily I shake my pesky valium habit..." Bonus: I also really like the word katzenjammer. \KAT-zun-jam-er\ noun "1 : hangover 2 : distress 3 : a discordant clamor." As in, "I'd get a lot more done in the morning if I didn't drink all night and wake with this blinding katzenjammer."<br /><br />5) I love living things. Sure, I enjoy the mountains, the cliffs, the streams and the desert as much as Alan Sheppard, but I'm always more fascinated by living creatures. When I go to the desert I want to see a lizard or a cactus tree or an eagle. I even love bugs (except cockroaches) and I'm amazed by Sequoia trees. Standing before them always fills me with incredible awe, thinking they were alive and unbending way before blackberrys, Apple IPhones, Pontiac LeMans', George Burns and the "discovery" of America. If only they could talk, we'd all be better off. Weltschmerz!Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-1164169953052720312006-11-21T20:12:00.000-08:002006-12-13T14:37:43.590-08:00Dream Seats II (or How I Met Rupert Murdoch)The day after Rupert Murdoch, that evil, slime-mongering dicator of sleaze, pulled plans to publish OJ Simpson's "controversial" book, <em>If I <strong><span style="font-size:85%;">wink wink</span> </strong>Did It, </em>I hightailed it down to a hip east village bar to celebrate the fact that I'd survived another day at work without decapitating anyone, and to hear some music. Perhaps, I naively thought, there really was good in the world, even though even Happy Stan knows Murdoch and his band of merry Bill O'Reilly's yanked the OJ slimebomb off the shelves because the evil empire was going to lose more from lost ads and stonings than the book was going to bring in. But I was out of work and music always brings me closer to what I imagine others would call "happiness."<br /><br />I got to the bar -- a tiny, hip dive on Avenue C -- and met my friends about 45 minutes before the concert was scheduled to begin, which meant we got seats -- okay, barstools -- in the back, about fifteen feet from the podium. Great seats, great bar and if my heart weren't made of lead, I would have been excited. I even thought for a moment: life is... Then eight girls entered the bar and took the remaining seats to my right. At first I thought little of them, because after all I'm a man of the people and I've learned to embrace humans from all walks of life, even twenty-somethings. They chatted and giggled loudly, but I glanced their way on occasion only to see if any of them might be my potential future wife. No such luck. In fact, given a choice between marriage to one of them and death by over exposure to Donald Rumsfeld, I would have chosen the latter. And it wasn't because they weren't cute and pert (which they weren't). It was because they were everything wrong with America. They were evil. They were people who would have stood in line to buy OJ's book. They were Rupert Murdoch! Would I marry Rupert Murdoch? Sure I would, I'm a writer, I'm not stupid. But Rupert's loaded -- come to papa, sugar-daddy. These girls were loaded in a very different sense.<br /><br />People continued to stream into the bar as the temperature in the room rose above 250 degrees, but my compatriot -- call her ''The Tolerant Friend" (or "TTF") -- swore the music would make it all worthwhile. And I believed her because she's TTF and she's never lied to me, except for when it's been for my own good, which is every day. There were people all around me, people pushing past me, people reaching over me to get their drinks at the bar, but as I mentioned, I'm a man of the people and I was willing to endure their transgressions because, deep down, I love mankind as much as I love that funny feeling I get when I swallow my gum. So great: the music begins, it's a mix of bluegrass, country and soul and I feel my blood pressure begin to release, which it does when I listen to music or look at pictures of teddy bears. But the girls wouldn't stop talking. In fact, they raised their voices: after all, they couldn't hear each other and how else could they carry on a conversation during a performance? S<em>peak up, Ashley, there's a band playing and if we talk loud enough, you know, scream, we can hear each other</em>. Others stared at them. One brave soul leaned over and asked them to quiet down. The "girl" he addressed smiled. At him. And continued her conversation. I thought to say something to one of these people, but I hate confrontation and I also knew that these girls were built in a land (a home) of self-entitlement. They were grown babies and would look upon any effort to bring them to order, to show respect, as an encroachment on their inalienable rights to being bitches. They're of the sort who say "thank-you" in that little sing-song that really means, "You're so beneath me, I'm not thanking you, I don't thank anyone, I don't respect anything, except money and a punch in the face, and you're not man enough to do bring home either, motherfucker." To make matters worse, two friends of the evil eight arrived after the performance had begun. They stood to my left -- there was no room to pass in this packed bar -- and started signaling and chatting with their friends on the other side of me. My earlier theory about the girls was confirmed when TTF politely leaned over to the two new girls and asked them to be quiet while the band played. One of the girls actually said, "Well, you don't have to be so rude." TTF was rude. That's what she was saying. The girl was screaming to her friends during a concert, ignoring glares and "quiet please's" and TTF was rude.<br /><br />Here are some things I wish could have happened:<br /><br />1) I gather myself during a break and for once I'm articulate in a moment of rage and I say, "Will you fucking bitches shut the hell up? What? I'm rude? You're everything that's wrong with America. You're the result of parents who don't know how to create boundaries, to truly love their kids, to help them form proper attachments, to teach them that other people exist and that yes, they should respect those other people. And I hope that in five or ten years you'll be able to look back on how you are now and think, <em>god, what a bitch I was, that guy was right</em>, but I know that's not going to happen, because you're never going to grow up, you're going to be stuck in that miserable, self-indulgent body until you die, and you'll die miserably and alone because you know what, you're both of those already. Now why don't you take your so-called friends outside and do us all a big favor and get run over by a very large, disease-ridden bus."<br /><br />2) The leader of the band stops and throws his guitar across the room and everyone goes silent. Except for the chatting girls, because of course they're oblivious. And everyone in the room stares and stares. And stares and stares. Until finally one of the girls notices and she blushes and points out to her friends that everyone in the bar is staring menancingly at them. Then the girls magically tranform into piles of poo, and the concert continues.<br /><br />3) The devil, in the form of Rupert Murdoch, appears in the center of the room, hovering like a spector, and begins singing the theme song to <em>The Duke of Hazzard</em>, because, he says, it's his favorite show, and then that hot chick from the movie version of the show appears too and it turns out she's sensitive and smart, and we leave the bar together just as Rupert is singing, "Just good ol' boys..." and we never look back, we keep walking into the sunset.<br /><br />4) TTF tells me I'm on a reality show called "Hanging with Bitches," and hands me a million dollars for lasting as long as I did. Everyone congratulates me, and then that Dukes of Hazzard thing from above happens.<br /><br />Of course, there was no quieting down those girls, and so I left before the concert was over. It was cold outside (and, <em>sniff</em>, inside my heart as well), but at least I'd taken what little action I could under the circumstances. The world needs teachers, it seems, to educate people like this (there's only so much one cranky person can do), but in the meantime, it's a shame the rest of us have to put up with Rupert and his land of idiots. Next time I'm bringing my Taser.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com0tag:blogger.com,1999:blog-21592063.post-1163199086235591212006-11-10T14:24:00.000-08:002006-11-13T16:18:52.610-08:00GREsI'm applying to graduate school and never mind asking in what subject, because it's not really your business and it's besides the point. What is the point is that I was required, as part of my application process, to take the Graduate Record Examinations, or GREs as they are affectionately referred to by people, like nuns and actors on TV, who refer to things with affection. The GREs are divided into three helpful sections: verbal, math and analytical, and while this is certainly enough to test my ability to answer difficult word problems and analogies, it doesn't begin to address an even more important subject: how low I'm willing to grovel in order to make these grad schools like me. "Oh please, please like me," Happy Stan recommended I write on page one of my applications, but I have too much integrity for that. But I WAS willing to sit in a tiny room with 20 other go-getter types for four hours and answer questions on a computer screen.<br /><br />I am not a scientist, but I can spell "science" and without question that gives me the authority to say the following: the GREs test your ability to take the GREs and not much else. Sure, some of the questions are difficult [SEE BELOW FOR SAMPLE QUESTIONS], but there are innumerable classes you can take and books you can study in order to improve your score. The verbal section, replete with analogies, antonyms, sentence completions and reading comprehension questions dense enough to make an elephant choke, don't test in any way how well you'll be able to learn science terms if you're going to be a scientist, or even how well you reason. The tests aren't really useful for testing how you'll do in any particularly subject. And they're annoying.<br /><br />So what are the GREs really testing? It's this: how hard you might work when you actually enroll in graduate school. Which isn't so bad, I suppose, since grad schools are investing in students as much as students are investing in grad schools (except students are investing their life savings, and grad schools are making millions). But some programs don't even use the scores! My programs require them only because they're required by the larger universities to which I'm applying. So that makes it even more annoying that I lost sleep over the buggers. Lots of sleep. More sleep than I'll ever get back (rest assured, I am not going to grad school to study time travel, so that sleep is long gone). Because I hate tests more than I hate mold season. I get nervous preparing for tests, the tests begin to occupy my every thought, action and taste, I can't sleep, or eat, tests, just, test, Tests, <strong>TESTS</strong>! So why do they make us take these meaningless, painful, tooth-pulling exams? Because those who don't take them will turn to a life of a crime and give the rest of us something to clean up after.<br /><br />Here are some sample math and verbal questions:<br /><br />Math:<br />1) If Ted has six sisters, three are named Elizabeth and one runs for President of the United States, and x = 13, what is the likelihood that Ted had too many raisinettes when he went to see the latest screening of Borat last night: A) 16! B) 16/x C) 16 D) 1.6 E) All of the above.<br /><br />2) Which is greater, A or B:<br /><br />x = 13 orangatuns, y = 4 lemon drops<br />Quantity A =x - y Quantity B = 11<br />Quantity A is greater<br />Quantity B is greater<br />Quantity A equals Quantity B<br />Relationship Indeterminate Since Orangatuns are not Crustaceans<br /><br />3) Using the triangle not given and assuming x = 7, let us know if that guy is bothering you. Yeah, that one over there. Yeah, you. What? What did you say? Are you looking at me, because I'll come over there, man. What? Oh no, you di'nt. Just turn your fat head around and finish your test, because you know you don't want to see me mad. A) 90 degrees B) 45 degrees C) Damn, just turn around! D) 10 degrees E) Damn!<br /><br />Verbal:<br /><br />1) Rhinoceros is to GRE as<br />A) Hippo is to GRE<br />B) Llama is to GRE<br />C) Caterpillar is to GRE<br />D) Wallet is to Empty<br />E) Elapsed<br /><br />2) Find the word that is most closely opposite in meaning to the following word: Defibrilator. A ) Trophy B) Sponge C) Boutros Boutros Gali D) Kareem Abdul Jabar E) Defibrilator<br /><br />3) Answer this question after reading the following text which we have reduced to the size of an electron: if Batman had a gun, could he beat up Superman?Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1160360821733600012006-10-08T19:06:00.000-07:002006-10-19T05:32:13.033-07:00Dream SeatsIf there's one thing in the world I really love, it's going to a spacious theater on a Saturday night, relaxing with a large box of popcorn and a 150 mg Zantac, sitting back to enjoy a movie without annoying disruptions from my phone, my blackberry or other humans. If I had it my way (and I do, but only when I dream), I'd build a giant theater for myself and attend movies daily -- Martin Scorsese style -- and allow only friends and other billionaires into my special cave. But since I'm probably not dreaming, nothing causes my GERD to flare up quite as much as people who arrive at the theater too late to find a good seat, or, even worse, after the movie has begun and ask me to move to accomodate their self-entitled, flabby asses.<br /><br />I went to see the "Science of Sleep" the other day (a movie apparently made about my entire 20s) and got there early and claimed a cozy seat near the middle-back. Those who filled in the row around me sensed my surlyness and as the theater filled I found myself with empty human-holders on both sides, which was fine with me: more room to stretch my too-long-for-the-movies-or-flying-in-airplanes legs. Happy Stan says I should use the opportunity at the movies to chat with other movie goers, but that's only because HS thinks I secretly like people.<br /><br />About 17 seconds before the movie began I felt a tap on my shoulder and as I turned to bite off the offender's arm I heard him say, "would you mind moving over one so my girlfriend and I can sit together?" He had an English accent, long stringy hair and a vibe like Keith Richards, only without the rock stardom and years of drug abuse to back it up. In short, he was a lightweight hipster. <em>Dude, where the hell were you when I was taking this sit 35 minutes ago? I didn't show up early to save you a seat</em>. I couldn't help myself, I actually said that. He was flustered and I saw for a moment a flicker of fear: oh no, this guy is crazy. In New York anything is possible and he didn't know if I was about to stand up and cut off his head with a machete. But I moved over one, finally, because -- wait, why did I move? Perhaps because that moment, over a single movie seat, wasn't the best time to make a stand on principle. But then, when is? If we don't stop the bleeding, the decay, soon, if we don't prevent the ones who live in a cloud (and don't have their own blogs), the ones who do not realize other people exist, from destroying what little sense of humanity our culture has, who will? And don't tell me Paris Hilton, because I'll just slap you.<br /><br />What gets me about these people is that they're oblivious to their own obliviousness. They think it's okay to inconvenience others to compensate for their laziness, tardiness or whatever -ness they're full of. I was waiting in line the other day at the movies with a friend (I have two) and the line stretched around the block. When they finally let us in a middle-aged woman tried to turn the corner and jump into line. Fortunately, a fellow cranky-panter was on the job and stopped her short with, "do you think I was born yesterday, lady?" What's wrong with her? I know what's wrong. She thinks she's more important than everyone else. She has no empathy, no capacity for love: she's all greed and American go-get 'em-ness. Another -ness taken to extremes. Makes me want to drift off, to sleep, to escape into my own moldable reality.<br /><br />I often dream of being lost in large, empty buildings, of stumbling up dark steps, of winding through cavernous rooms. I'm invariably alone on these treks, slightly out of sorts, but not completely panicked. Is my brain telling me I'm lost? Or that too often my own psyche is unknowable, even to myself?<br /><br />The movie was very good, as it turned out, and told the sad story of a boy-man who can't deal with the reality of dating, or of any other people, because he lives his entire life in a dream. The irony struck me only later, but then I wondered if I might not be better off disappearing into my own psychosis, like the protagonist of the film. At least I'd get a nice seat in an empty movie theater every time. I'm so close.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1158618691238807902006-09-18T15:29:00.000-07:002006-09-27T17:45:27.566-07:00Happy FitnessI've taken to exercising along with fitness programs on television in an effort to find ways to stay in shape while avoiding paying half my salary to a gym where I have to wait in line ten minutes to tone those hard to reach lats. After watching a bunch, I realized something was off, and it wasn't just my right hip. It was THEM.<br /><br />I have nothing against the TV exercise instructors, because their crunching their abs to make sure I don't turn into a tubby ball of goo. I respect 'em. But what burns my buns more than Ellen Barrett after an hour long workout is this: they can't stop smiling. It's relentless. It's as if they've been hypnotized by Ms. America, it's like they're auditioning for Valley of the Dolls, it's as if their brains have been sucked out through a straw and replaced by vanilla milkshakes. What's with all the smiling, kids? You're sweating! Just once I'd like to see Ellen lean over her knee, wipe her forehead and exclaim, "fuck, this workout is kicking my ass!"<br /><br />Wouldn't that make you feel better (and by you, I mean "me")? Because you're not even bending over, wiping your forehead and exclaiming anything, because you stopped about halfway through the workout, walked outside, kicked the neighbor's cat and bought yourself an ice cream Sundae. You're a human being, after all, and wouldn't it be easier to finish one of those workouts if the person you were following was human as well? No, it wouldn't, who are you trying to kid? You're lazy, stop blaming Ellen Barrett.<br /><br />Wait, I've gotten off track again. Okay, I would marry Ellen. She's perky, in shape and she says things like, "You're doing great," which, lets face it, is something most guys want to hear in as many contexts as possible. But I'd love to see her after the show, clutching her side: "Damn, I've got a cramp, I've got a cramp." That would make her endearing, lovable and more like you, me and everyone else. So what's with all the phony smiling?<br /><br />I think it's because we're living in a culture where nothing is supposed to be difficult. If it's hard to do, it's not worth doing. My Uncle Abe was over my house the other day to watch football and eat me out of nachos when he said, in between bouts of terrible gas, "There has never yet been a man in our history who led a life of ease whose name is worth remembering." It sounded like something Theodore Roosevelt would say, but my Uncle has a way of exceeding the intelligence of our collective human history. His point is that no one gets anything done unless he applies himself, but marketing people know they can convince you that it's not true. They put a shine, a gloss on everything -- they want you to waste your life, to sit in front of the television and get excited by the Dustbuster, they want you to go to your computer and order a thighmaster, they want you to eat McDonalds and Kentucky Fried Chicken and put enough pressure on your poor heart to turn a coal into a diamond. They want you to pin a numb smile on your face, go through life like a dummy, smiling meaninglessly all the way into the dirt. They want you -- us -- to believe life is SUPPOSED to be easy. Life, lets face it, isn't easy, and in our culture there are too many reasons for giving up, for addicting yourself to Ally McBeal, cocaine or self-love blogging.<br /><br />The fitness experts know what's going on, they're on the front lines, because that body they have took a shitload of work. Someone, I suspect, is forcing them to do all that smiling. The producers are convinced it's the only way audiences will stick with it: "Make it seem easy, Ellen." The experts need to get their own channel, run by fitness gurus, owned by fitness gurus, where they can whisper to us honestly: "Look, this is going to take a lot of work, you slob. But after a few months, if you stick with me, you might be able to climb down a flight of stairs without losing your breath. You and I are just alike except for one thing. I do 500 crunches a day and you can't lay off those Twinkies. You disgust me!"<br /><br />Ellen, don't hesitate to say hi!Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1155937162254796932006-08-18T14:32:00.000-07:002006-09-14T07:37:52.283-07:00Damn machinesI was in the post-office picking up my hate mail (one from my mom), when I happened to pass by an average young man depositing quarters into a stamp machine. One of the quarters fell all the way through for no apparent reason and the man let out a hissing, exasperated moan and if I hadn't been right there I'm fairly certain he would have whipped out his manhood and peed on the contraption. By the way, I don't typically use the word "manhood" in any context, but Happy Stan says his kids have been reading my blog for tips on how to avoid a miserable adulthood, so I'm occasionally censoring my lingo.<br /><br />Where was I? Oh yes, the post-office. I was right there with that poor guy, remembering the many times I've deposited change into the snack machine at work, my mouth watering, my eyes growing large at the site of the peanut butter cups just behind the plastic. And I remembered the many times the machine wouldn't take my quarters (and the one time I slammed my fist against the plastic sheild and swore revenge). I remembered all the times my computer crashed just as I was about to send a brilliant email to my girlfriend explaining why I was right and she was wrong about everything we'd ever discussed, including my tendency to ignore what she was saying after several sentences. I remembered the times my computer had a small glitch and all I had to do to fix it was to clean up a few things, but cleaning up a few things caused 7 new problems to arise, and then when I tried to clean up those 7 things, 49 new problems arose until finally I tossed my computer in front of a Sprite truck that happened to be speeding by the dumpster where I sleep. I remembered the time my Grandpa Schlomo got parking tickets for parking in a space when the parking meter was broken. Does that really make sense?<br /><br />What's going on here besides my own slippery descent into madness? It's machines. Computers. Automated answering services. Televisions. Blackberrys. Cell phones. Parking Meters. They're everywhere and they're making life even less personal than it already is. We're turning into anti-social, isolated creatures, on par with sharks and TV talk show hosts. Whenever I'm at the airport, I always try to get into the line that will allow me to talk to a human being, even though checking in electronically might be a tad faster and less likely to lead to a conversation that would include the word "carry-on." I do this because I work with computers and I know computers fuck up all the time. And they're inflexible. You can't push an incorrect button on a machine and expect it to say, "hey, that's okay, you're just a squishy, idiotic human being, like me, I'll just switch your seat so you get to sit next to that hot tomato after all!" I like to be able to say to a human being, "I'd like the burger medium rare, but hold the fries and can I get a salad?" Even the least intelligent human being understands nuance. Machines understand 1 and 0.<br /><br />Here's a quote from a New York Times article that I read on line: "A study by sociologists at Duke and the University of Arizona that gained wide attention this summer found that too much computer use can isolate one further from a shrinking circle of confidants." No, really? Cleary, those who funded this study either don't get out much or they're wild surfer dudes wondering why fewer and fewer folks are hitting the shore every week to catch a few tasty waves. <br /><br />So when I slam my hand against the plastic casing of the snack machine, I'm really expressing the frustration of all humanity. I'm desperate for human interaction, for someone to say, "sorry sir, here's your peanutbutter cups, now why don't you go sit down in the kitchen and think happy thoughts about streams and squirrels." <br /><br />All of this is our own fault. We thought machines were making our lives easier, but instead we're turning existence into one isolated, numbing experience after another. There are too many so-called humans, now, that are more automated than any machine you'll ever meet. That's not life. That's more like war, just with slower deaths. Which reminds me: a friend of mine produced a TV show (speaking of isolating electronic devices) recently about ways the world might end. One of them was: "machines take over." Maybe that's already happened...Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com1tag:blogger.com,1999:blog-21592063.post-1154640175399619592006-08-03T14:06:00.000-07:002006-08-15T19:17:23.430-07:00SpamSome days I have profound thoughts, like the day I realized that Mel Gibson is not my real father, as my mother insists, because he couldn't possibly be Jewish -- what Jew ever had an Australian accent, come on! But today is not a day I'm having any profound thoughts, which has led me to write about something that anyone who has ever had email finds annoying: spam. And not the kind that's tasty to eat with eggs, jam and toast, but the kind that pours into my email inbox at every hour of the day. Spam for Vioxx, for Viagra for estranged generals looking to use my bank account to make me a multi-bazillionaire. I hate spam like tall men hate airplane seats, like construction workers hate powerful winds, like my skin hates the rest of my skin when I'm watching Oprah Winfrey on television.<br /><br />First off, who the hell likes spam? I have trouble conjuring an image of someone pathetic enough to happily open <em>any </em>email that hits his Inbox: I picture a large, shaggy man with no pants and grizzlybear back-hair sitting in a ragged trailer set down in the middle of the desert with a cable running from his computer to the nearest city (probably Nevada). I believe it was The Beatles who wondered where all the lonely people come from. I don't know that they ever got an answer to that question, but I do know this: those folks aren't lonely anymore, they have THOUSANDS of new friends who write them every day.<br /><br />It might be presumptious of me to assume that anyone likes spam, but I'm giving the spammers the benefit of several doubts. Why would they keep spamming if it didn't work? Either they're crazy (well, they are crazy), or they're drumming up business this way. So lets assume there is a segment of the population of the earth who like nothing more than receiving email ads for things that they absolutely must have. And how would they know they needed those things if they didn't get emails announcing their existence? How stupid am I? Or, as Grandpa Schlomo would say, "You're a schmuck, now pass the pork chops and the magic markers."<br /><br />I read somewhere, probably in the New York Times during a dream, that the number of spam emails is greater than the number of real emails sent by real people. Which begs at least one metaphysical question: which are the "real" real emails? Huh? Ponder that! No, don't. Spam is not real email and quantity is only better than quality when it comes to champagne, ice cream and Zsa Zsa Gabor. But it does make me wonder about the quality of email in the first place. Remember a time way, way back, when people wrote carefully crafted letters? Those days are gone -- suggest writing a letter to someone and you'll be crushed by their manic laugh and soul-crushing punch to your solar plexus. Folks don't have time to write anything of substance anymore. In fact, most folks (especially lazy bloggers) don't even have the time to even think anything of substance anymore. They're too busy watching shows with words like "ghost," "spirit," "telepathy," and "Jay Leno" on the television. And lord knows we have to be fed constant stimulation: in my office building they recently put up ridiculous TV screens in all the elevators that shout out useless statistics and news all day. Who cares what Brad and Angelina are doing, besides their press agent and 2.4 billion people?!<br /><br />Oh wait, I was talking about spam. Err, spam. So what to do about it. I have several suggestions. First, make it illegal. I know, that probably treads on at least one amendment to the Constitution, but I wonder if the founding fathers or the various amenders ever envisioned their lofty ideals being used principally to sell erectile dysfunction medication (though Happy Stan points out that those guys NEVER smile in paintings, so who knows...). Do democratic principles necessarily even go with capitlist ones? An unoriginal thought to be sure, but worth pondering next time some spam hits your Inbox. Like now. And now. Now. Another thought to stop spammers: track 'em all down, put them in a city that no one is using anyway (Phoenix?), build really high fences and then force feed them all the medication they've been selling. Then film it. Now that's some television that'd be worth seeing. Now I'm getting hungry -- yup, for spam and eggs.Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com1tag:blogger.com,1999:blog-21592063.post-1152128037735877992006-07-05T12:29:00.000-07:002006-08-03T07:42:02.956-07:00Elevator ButtonsI was recently visiting the home of my arch-nemesis Dr. H -- there to plant destructive ideas -- and as I was leaving I noticed the elevator in his building had a display telling me exactly what floor each elevator was on. So while it was still moderately annoying having to wait for the elevator, I found my blood pressure remained fixed and dilated because I at least knew when the next elevator would be stopping on my floor. Yes, if this suggests to you that I'm a controlling freak, I'd say you're right about at least one thing: you do hate yourself.<br /><br />Which brings me to the point at hand: why can't all public modes of transportation deliver information that will keep my blood pressure from shooting through my eyelids? The monorail at Newark Airport tells me down to the second when the next train will arrive! If you miss a bus or train in New York City, you have several choices: 1) patiently wait for the next to arrive; 2) write a screenplay; 3) pace back and forth until you can't take it any more and punch the nearest wall as an expression of your rage; 4) invent a time machine, build it and then transport yourself forward in time to the moment the next train arrives; 5) leap on to the train tracks and await your demise (but bring a novel and something to eat); 6) perfect the cello.<br /><br />I remember reading in a New Yorker article a year or so ago that the man who "saved" the New York City subways in the 80s was going to London to help them with their mess. I can't believe that man got another job! Saved? The tracks are perpetually under construction, there is little rhyme or reason to the work (the G line tracks have been under construction for the entire 16 years I've lived in Greenpoint) and clearly no one cares about the passengers. There are many, many other problems with the subway and bus systems, but a neon sign declaring the innumerable delays would at least allow passengers to attempt to make productive plans during delays, like walking to work or having a picnic. <br /><br />Uncle Abe was visiting my apartment last week to use the toilet and when I mentioned all this to him he said, "Patience and perseverance have a magical effect before which difficulties disappear and obstacles vanish." And even though it appears John Quincy Adams stole this notion from my Uncle I have to admit: they're both right. But who cares about being right. I want to live in a world as pristine as the one inside my head, where I never have to wait for anything, except pop culture references. I like it when elevators and trains talk to me, and I have too much time on my hands for my own obsessions anyway -- I have a tendency to carry on conversations with my imaginary selves, and most of them have ill tempers, bad manners and terrible posture. So I could really, really use someone else to talk to while I wait. If nothing is done, I'm afraid my own tenuous psyche will split into several irreparable pieces. And we don't want that, do we?Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1151687893375353442006-06-30T09:57:00.000-07:002006-07-01T11:13:12.806-07:00Rain and my brainI love the rain. Only, I love it when I'm inside, snuggled up with my sweetheart, eating marshmallows out of the bag and exchanging occasional smooches. And since I don't have a sweetheart (though my own heart is scrumptious) this is currently a state of affairs virtually impossible to achieve (I'll leave open the potential for time travel, because humans are really clever at figuring out this kind of stuff). Which makes it even more exasperating that I was caught three times this week in a deluge, and although I had my umbrella with me during all three outbursts I still got soaked -- serious rain. I don't remember it raining this much in June in NYC. Is this being caused by a) Global warming; b) A vengeful god almighty; c) chance; or d) clouds. I'm betting it's some combination of a, c and d. I don't believe in a vengeful god, or of a deity of any sort, alas, though I spend much time damaging my own psyche by blaming him (definitely a guy) for all things that go wrong, proving at least one thing: I hate to take responsibility for my own failures. My favorite thing to blame Him for is losing at computer Hearts. I feel I'm entitled to win every game, so when I don't win, I blame Him. But I blame Him for lots of things. Here's a list of some of those:<br /><br />1) Failure to achieve a career in writing;<br />2) Humidity;<br />3) Pimples;<br />4) When I trip on the sidewalk and nearly fall, I usually scowl. Damn Him!<br />5) Mayonaise, but only when it has that funny taste that makes me want to vomit;<br />6) Lack of girlfriend- ness;<br />7) Shitty job;<br />8) NYC subways;<br />9) That feeling you get when you pass a graveyard;<br />10) Bad teeth.<br />11) My negativity;<br />12) Spilling beets on my pants;<br />13) Graying and thinning hair (it'll be a race to see which wins);<br />14) the Yankees;<br />15) Bureaucracy<br /><br />Happy Stan says that I should start appreciating the good things in life and stop focusing on the negative, but since HS isn't real I told him to go to hell. When he is out of the room, though, I secretly wonder if he isn't for once making some sense; but when I try to feel happy that my couch is really comfortable and that I have a good apartment, I get a funny feeling in my stomach. Maybe it means I'm happy, I think, but maybe it means I shouldn't have eaten that tuna sandwich with the bad mayo. The point is: my own brain is often my worst enemy, and it's tough to fight a brain because it knows what you're thinking before you do and it's pretty well insulated inside your skull. Like the rain, it oftens pours on my parade. Perhaps I need to find a mental umbrella? Such as, good work and good people? Hmm, meaning I might have to find more than three people I can stand to be around. Oops, I have to run, Happy Stan is calling. He says the Argentina-Germany soccer match is getting good. I hope it doesn't rain...Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com2tag:blogger.com,1999:blog-21592063.post-1150323509301919382006-06-14T15:13:00.000-07:002006-06-19T13:06:51.526-07:00Religion and the Da Vinci CodeI was reading over the shoulder of a fellow subway traveler this week when I caught a letter to the editor in one of the local rags. The editorialist was wondering what all the hype was about concerning the Da Vinci code movie -- why are people threatened, he wondered, by something that is clearly fiction. The movie and the book it's based on, after all, are all made up, so why's everyone getting their panties in a sticky bunch? The problem with this argument and others like it, constructed by same-minded children, is that it implies that religious stories are not ALSO fiction, that religion is not, in every instance, a bunch of made-up mythology designed to get folks, for the benefit of civilization (however good or bad), to behave one way or another (mostly another). Want to avoid disease? Tell em: <em>Sex is bad</em>. And so on... So I think it's right that folks have their underwear pinched tighter than a lobster's claw on this one, because isn't it about time human beings let go of this ancient crutch? Isn't the truth, as revealed by science, even more wondrous? I mentioned these thoughts to my Uncle Abe and he said, in between slurps of his Cinammon Raisin oatmeal, "At least two thirds of our miseries spring from human stupidity, human malice and those great motivators and justifiers of malice and stupidity, idealism, dogmatism and proselytizing zeal on behalf of religious or political idols." Once again I looked up U.A.'s thoughts on the web and found that someone else -- in this case Aldous Huxley -- had spoken them first, which only proves that there are really no new ideas.<br /><br />I haven't seen the Da Vinci Code and I haven't read the book, though I've read through several reviews of both and have discovered that intelligent people (assuming reviewers are intelligent, which is a dangerous presumption on par with the assumption that politicians are honest)... but I digress. Intelligent people seem to think the book and the movie kinda suck ass, and not in a good way. So I could understand those who would simply dismiss it as drivel and move on with their lives spent surfing things, like the web and the Pacific Ocean. But to them, I say: don't you see that's the point? What's the point? they would ask, exasperated by my inarticulateness. The point is: people are actually attracted to this kind of stupidity and it scares me more than hairless cats do. Yes, humans have always leaned rather heavily on superstitious claptrap to explain the universe and our seemingly super-important role in it, but that's because humans have always been scared, frightened, too-smart-for-their-own-good monkeys. So now, in the fabulous 21st Century, haven't we grown up enough to face that? Judging by events around the globe, clearly we haven't, but imagine what we could achieve if we did -- we've already walked on the moon, cured innumerable diseases, invented cool things like Ipods and pencil sharpeners. And we're just getting started, humans have only been around for a very short time -- dinosaurs were around for something like 200 million years and not one of them even invented a stapler!<br /><br />Are you still imagining? Okay, stop, because you're drooling.<br /><br />Hey, are the ethics provided by religion really all that great, necessarily? Aren't they kind of repressive? And don't they encourage blind obedience, rather than thought? I was discussing this with the now deceased poet, Anais Nin, during a seance last night and she said, "When we blindly adopt a religion, a political system, a literary dogma, we become automatons. We cease to grow." Yes, Anais, yes! And no, I didn't sleep with her.<br /><br />I know I'm not exactly cutting any edges by condemning religion and superstition (wasn't that what the Enlightment was all about?), and I know there are probably good arguments on the side of religion and metaphysics generally that point to the disasterously bloody results of peoples abandoning morality (the French Revolution, anyone?). But geez, isn't there a place for a world devoid of god and make-pretend that also includes a well-constructed ethics? I suppose you could argue back and forth like this, with good arguments on both sides, about the question of how much good vs. evil religion does. Is it a force of good or evil, primarily? But the bottom line is: it's a fantasy, it's make-pretend, and ultimately we do harm to ourselves when we believe in such dreams.<br /><br />Now, maybe someone has to step up and educate the masses, let 'em know that it's okay to let go of their belief in god, and an afterlife and ESP, although I think we're all capable of doing this for ourselves. Did you really need your mom to tell you Santa was a hoax? Didn't you begin to realize on your own? Of course, there was a period in there where you allowed yourself to believe anyway, maybe for one last winter or two, but you finally told yourself it was all just a hoax and you went on to obsessing about other things, like that cute girl in your gym class, was her name Lisa Hernandez (call me!)? People allow themselves to believe in religion for far too long. I'm guessing most people know it's a game, but they choose to play anyway: anything to avoid dealing with reality.<br /><br />Maybe it's something deeper, a need to belong to something, a need to imagine a power beyond us. Look in the mirror one day and think the world begins and ends with choices, however, and you'll see a different world when you walk out the door. Now excuse me, but I have to catch a nap before the hockey game tonight. Those Oilers are gods, man...Kravbohttp://www.blogger.com/profile/00741567452928726794noreply@blogger.com1